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引用次数: 1
摘要
本文借鉴俄罗斯表演理论家康斯坦丁·斯坦尼斯拉夫斯基的作品，对印度政治漫画《对不起》系列进行了研究。本文旨在通过斯坦尼斯拉夫斯基作品的棱镜来阐释这些漫画。本文的贡献将是将斯坦尼斯拉夫斯基的一些关键原则应用于卡通系列。因此，本文将提供一个例子，说明斯坦尼斯拉夫斯基的工作如何成为媒介研究领域的一个有用的理论框架。在这项研究中，我选择了印度电视上非常受欢迎的政治漫画视频系列“So Sorry”系列中的漫画。本研究的“对不起”视频样本是2019年6月4日放映的视频“Kamal ki Tsunami”(莲花海啸)。我解读这段视频是为了进一步探索斯坦尼斯拉夫斯基在漫画创作中的理念，了解漫画家的想象力。
Stanislavski and Indian media: an exploration of “So Sorry” politoons
ABSTRACT This paper undertakes a study of the Indian “So Sorry” political cartoon (politoon) series, drawing on the work of Russian acting theorist Konstantin Stanislavski. The paper aims to illuminate the cartoons through the prism of Stanislavski’s work. The contribution of this paper will be the application of some of Stanislavski’s key principles to the cartoon series. Thus the paper will provide an example of how Stanislavski’s work can be a useful theoretical framework in the field of media studies. For this study, I have chosen cartoons from the “So Sorry” politoons series, the highly popular political cartoons video series on Indian television. The sample of “So Sorry” politoons for this study is the video “Kamal ki Tsunami” (The Tsunami of Lotus Flower), which was screened on 4 June 2019. I interpret this video to further explore Stanislavski’s notions in the creation of cartoons and to understand the cartoonist´s imagination.
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