Lene Kici洞穴艺术:可能与东帝汶旧石器时代人类占领有关的象征性证据

Q3 Arts and Humanities
M. García-Diez, C. Standish, N. Oliveira, S. O’Connor
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引用次数: 2

摘要

摘要:手印是旧石器时代洞穴艺术最古老的表现形式。最近在东帝汶图图阿拉地区进行的考古实地研究记录了Lene Kici洞穴的新考古遗址,其中包括旧石器时代的手图案和其他非具象图案,包括圆盘、点、三角形和其他可能的几何形状。本研究对这些图案的制作技术、形状、构成和空间位置进行了分析。根据现有资料和区域背景,更新世年代学被认为是极有可能的。手印的背景表明它们不是偶然的图案;相反,它们似乎主宰了东南亚和Wallacea群岛最早的定居者群体的早期图形。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lene Kici Cave Art: Possible Symbolic Evidence Associated with Palaeolithic Human Occupation in Timor-Leste
ABSTRACT:Hand stencils are the oldest manifestations of Palaeolithic cave art. Recent archaeological field research in the Tutuala region of Timor-Leste has documented new archaeological sites at the Lene Kici caves that include Palaeolithic hand motifs and other nonfigurative motifs including a disk, dots, a triangle, and possible other geometric shapes. This study characterizes the production techniques, shapes, composition, and spatial locations of these motifs. Based on the available information and regional context, a Pleistocene chronology is considered highly probable. The context of the hand stencils suggests they were not occasional motifs; rather, they seem to have dominated the early graphic repertoire of the earliest settler groups in Southeast Asia and the islands of Wallacea.
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来源期刊
Translocal Chinese: East Asian Perspectives
Translocal Chinese: East Asian Perspectives Arts and Humanities-History
CiteScore
0.20
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0.00%
发文量
14
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