重估法尔科纳的《沉船:时间、劳动和沉浸的问题》

IF 0.1 3区 文学 0 LITERATURE
Michael Edson
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引用次数: 0

摘要

摘要:阅读就像航海一样,是一种持续的体验:阅读发生在时间中,如果一首诗足够长,阅读可以让人分心,让人注意到时间的流逝。因此,阅读时间为威廉·法尔科纳在《海难》(1762)中提供了一个被忽视的资源,巧妙地向他的读者中不航海的人留下了可能是航海时代海上旅行的核心体验的印象:在一成不变的大海和天空背景下,漫长的时间单调地流逝。本文考虑了法尔科纳如何在他的诗中叙述这次航行,并平衡了真实传达水手经历的竞争需求,包括海上旅行的巨大时间尺度,以及对平淡无奇的航行持续时间的叙述不感兴趣的非专业人士的参与。对后来的作者版本的密切关注表明,法尔科纳扩展了他的描述,增加了史诗般的比喻,并重新安排了情节,这些方式表明他努力让读者将阅读时间视为航行时间的代理体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rescaling Falconer's The Shipwreck: Time, Labor, and the Problem of Immersion
Abstract:Reading, like sailing, is a durational experience: reading takes place in time and, if a poem is lengthy enough, reading can thwart absorption and make one notice time passing. Reading time therefore offered William Falconer in The Shipwreck (1762) an overlooked resource for tactfully impressing on non-sailors in his readership what is perhaps the central experience of sea travel in the sailing age: the dull passage of vast stretches of time against an unvaried backdrop of sea and sky. This essay considers how Falconer narrativizes the voyage in his poem and balances the competing demands of truthfully conveying the sailors' experience, including the vast timescales of sea travel, with the engaging of nonspecialists uninterested in the narration of uneventful voyage durations. Close attention to the later authorial editions shows Falconer expanding his descriptions, adding epic similes, and relocating episodes in ways that reveal an effort to make readers view reading time as a proxy experience for voyage time.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
18
期刊介绍: Committed to interdisciplinary exchange, Eighteenth-Century Life addresses all aspects of European and world culture during the long eighteenth century, 1660–1815. The most wide-ranging journal of eighteenth-century studies, it also encourages diverse methodologies—from close reading to cultural studies—and it always welcomes suggestions for review essays, special issues, and innovative approaches. Among Eighteenth-Century Life’s noteworthy regular features are its film forums, its review essays, its book-length special issues, and the longest and most eclectic lists of books received of any journal in the field.
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