{"title":"“杀死信天翁是不吉利的”:20世纪30年代芬兰帆船上象征自由的海洋动物","authors":"Sari Mäenpää","doi":"10.1080/21533369.2020.1851892","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article explores encounters between wild maritime animals and humans on Finnish deep-sea sailing ships in the early twentieth century. At that time, sailing ships were disappearing from the world’s oceans, and the deep-sea sailors of the 1930s romanticised themselves as representing the last wild and free adventurers in the world. Maritime animals played a central role in this romanticisation, and the encounters with them therefore came to be highly ritualised. Drawing on sailmaker Winifred Lloyd’s (1897–1940) diaries and other maritime accounts of that time which contain rich textual and visual evidence, this article argues that the albatross embodied the glamour of maritime adventures, the heroic meeting between sailors and the ocean, and the sailing ship as a space of masculine homosociality and freedom. As such, they became symbols of the vanishing maritime life and community, while the bodies of albatrosses, caught and often killed by the sailors, bear witness also to the fact that the human exploitation of nature is an important part of maritime history.","PeriodicalId":38023,"journal":{"name":"Journal for Maritime Research","volume":"50 7 1","pages":"97 - 114"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘To kill an albatross is unlucky’: maritime animals as symbols of freedom on Finnish windjammers in the 1930s\",\"authors\":\"Sari Mäenpää\",\"doi\":\"10.1080/21533369.2020.1851892\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article explores encounters between wild maritime animals and humans on Finnish deep-sea sailing ships in the early twentieth century. At that time, sailing ships were disappearing from the world’s oceans, and the deep-sea sailors of the 1930s romanticised themselves as representing the last wild and free adventurers in the world. Maritime animals played a central role in this romanticisation, and the encounters with them therefore came to be highly ritualised. Drawing on sailmaker Winifred Lloyd’s (1897–1940) diaries and other maritime accounts of that time which contain rich textual and visual evidence, this article argues that the albatross embodied the glamour of maritime adventures, the heroic meeting between sailors and the ocean, and the sailing ship as a space of masculine homosociality and freedom. As such, they became symbols of the vanishing maritime life and community, while the bodies of albatrosses, caught and often killed by the sailors, bear witness also to the fact that the human exploitation of nature is an important part of maritime history.\",\"PeriodicalId\":38023,\"journal\":{\"name\":\"Journal for Maritime Research\",\"volume\":\"50 7 1\",\"pages\":\"97 - 114\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for Maritime Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21533369.2020.1851892\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for Maritime Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21533369.2020.1851892","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
‘To kill an albatross is unlucky’: maritime animals as symbols of freedom on Finnish windjammers in the 1930s
ABSTRACT This article explores encounters between wild maritime animals and humans on Finnish deep-sea sailing ships in the early twentieth century. At that time, sailing ships were disappearing from the world’s oceans, and the deep-sea sailors of the 1930s romanticised themselves as representing the last wild and free adventurers in the world. Maritime animals played a central role in this romanticisation, and the encounters with them therefore came to be highly ritualised. Drawing on sailmaker Winifred Lloyd’s (1897–1940) diaries and other maritime accounts of that time which contain rich textual and visual evidence, this article argues that the albatross embodied the glamour of maritime adventures, the heroic meeting between sailors and the ocean, and the sailing ship as a space of masculine homosociality and freedom. As such, they became symbols of the vanishing maritime life and community, while the bodies of albatrosses, caught and often killed by the sailors, bear witness also to the fact that the human exploitation of nature is an important part of maritime history.
期刊介绍:
The Journal for Maritime Research ( JMR ), established by the National Maritime Museum in 1999, focuses on historical enquiry at the intersections of maritime, British and global history. It champions a wide spectrum of innovative research on the maritime past. While the Journal has a particular focus on the British experience, it positions this within broad oceanic and international contexts, encouraging comparative perspectives and interdisciplinary approaches. The journal publishes research essays and reviews around 15-20 new books each year across a broad spectrum of maritime history. All research articles published in this journal undergo rigorous peer review, involving initial editor screening and independent assessment, normally by two anonymous referees.