敌人他者:莎士比亚《暴风雨》中的邪恶话语

IF 0.1 0 LITERATURE, BRITISH ISLES
Ayman Abu-Shomar
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引用次数: 0

摘要

卡利班,威廉·莎士比亚的《暴风雨》中的“敌人他者”,是一个可以进一步研究早期殖民意识形态的角色;将“邪恶”势力定位在欧洲大陆和白人之外。卡利班是剧中唯一的非欧洲角色,他是剧中专制的反派,其邪恶的意图和行为无法挽回。针对这种表现,本文认为,归因于卡利班的邪恶话语是由文艺复兴时期的神学教义所告知的,并伴随着新兴的殖民意识形态。它认为,在语义层面上,“邪恶”概念的使用通常用作谴责不法行为的强化物。然而,在道德层面上,这个术语经常受到争议,因为它涉及对黑暗精神的毫无根据的形而上学承诺,需要有害的超自然生物的存在。因此,将这一概念归因于人类本质上是有问题的和轻蔑的,因为它缺乏解释为什么某些人而不是其他人会做出邪恶行为的力量。因此,卡利班的“邪恶”神话的认识论上的困惑揭示了一个不可避免的悖论,这同时需要将卡利班定位为人类和非人类的形象。利用解构主义的方法,本文将“邪恶”的概念置于抹除之下,因此,认为卡利班的邪恶仅仅是修辞和话语的产物,而不是本身的现实。这篇综述有助于后殖民研究范围内的话语、表征和邪恶修辞的交叉领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Enemy Other: Discourse of Evil in William Shakespeare’s "The Tempest"
Caliban, the ‘enemy Other’ of William Shakespeare’s The Tempest, is a character that allows further investigations of the colonial ideology in its earliest forms; locating ‘evil’ forces outside the continent of Europe and the White race. Caliban, the only non-European character, is typified as the autocratic antagonist of the play whose evil intentions and actions cannot be redeemed. Against such representation, the essay argues that the villainous discourse attributed to Caliban is informed by Renaissance theological doctrines escorted by an emergent colonial ideology. It argues that, at a semantic level, the employment of the concept of ‘evil’ often serves as an intensifier to denounce wrongful actions. At a moral level, however the term is often contested on the basis that it involves unwarranted metaphysical commitments to dark spirits necessitating the presence of harmful supernatural creatures. To attribute the concept to human beings is therefore essentially problematic and dismissive since it lacks the explanatory power of why certain people commit villainous actions rather than others. Hence, the epistemological aporia of Caliban’s ‘evil’ myth reveals an inevitable paradox, which concurrently requires locating Caliban both as a human and unhuman figure. Drawing on a deconstructionist approach, the essay puts the concept of ‘evil’ under erasure, hence, argues that Caliban’s evilness is a mere production of rhetoric and discourse rather than a reality in itself. This review contributes to the intersecting areas of discourse, representations, and rhetoric of evil within the spectrum of postcolonial studies.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
13 weeks
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