{"title":"近代早期低地国家温德斯海姆社区的音乐、仪式与死亡","authors":"Miriam Wendling","doi":"10.1515/jemc-2022-2017","DOIUrl":null,"url":null,"abstract":"Abstract The manuscript B 78741 held in the Erfgoedbibliotheek Hendrik Conscience in Antwerp contains the liturgy for the last rites, death and burial of a religious sister. Copied in the late fifteenth century, this small paper book hides its origins well. However, its Dutch rubrics and Latin texts make clear that the book is for the use of a community of sisters, led by a prioress, with the assistance of a priest. The rituals have aspects in common with those from other communities – the Dominicans, in particular – but they also have some striking differences. In the following article, I compare the music, texts and rituals held in the manuscript with those from known traditions. I argue that the manuscript was made for a community of Augustinian canonesses from the Windesheim congregation, most likely Beata Maria de Galilea in Ghent.","PeriodicalId":29688,"journal":{"name":"Journal of Early Modern Christianity","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music, Ritual and Death in a Windesheim Community in the Early Modern Low Countries\",\"authors\":\"Miriam Wendling\",\"doi\":\"10.1515/jemc-2022-2017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The manuscript B 78741 held in the Erfgoedbibliotheek Hendrik Conscience in Antwerp contains the liturgy for the last rites, death and burial of a religious sister. Copied in the late fifteenth century, this small paper book hides its origins well. However, its Dutch rubrics and Latin texts make clear that the book is for the use of a community of sisters, led by a prioress, with the assistance of a priest. The rituals have aspects in common with those from other communities – the Dominicans, in particular – but they also have some striking differences. In the following article, I compare the music, texts and rituals held in the manuscript with those from known traditions. I argue that the manuscript was made for a community of Augustinian canonesses from the Windesheim congregation, most likely Beata Maria de Galilea in Ghent.\",\"PeriodicalId\":29688,\"journal\":{\"name\":\"Journal of Early Modern Christianity\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-03-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Early Modern Christianity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/jemc-2022-2017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Early Modern Christianity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/jemc-2022-2017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
摘要
安特卫普Erfgoedbibliotheek Hendrik Conscience收藏的B 78741手稿包含了一位修女的最后仪式、死亡和埋葬仪式。这本小纸质书抄写于15世纪晚期,很好地隐藏了它的起源。然而,它的荷兰语标题和拉丁语文本清楚地表明,这本书是供修女团体使用的,由女修道院院长领导,在牧师的协助下。这些仪式与其他社区——尤其是多米尼加人——有一些共同之处,但也有一些显著的差异。在接下来的文章中,我将手稿中的音乐、文本和仪式与已知传统的音乐、文本和仪式进行比较。我认为手稿是为来自温德斯海姆教会的奥古斯丁女圣徒社区制作的,最有可能是根特的比娅塔·玛丽亚·德·加利亚。
Music, Ritual and Death in a Windesheim Community in the Early Modern Low Countries
Abstract The manuscript B 78741 held in the Erfgoedbibliotheek Hendrik Conscience in Antwerp contains the liturgy for the last rites, death and burial of a religious sister. Copied in the late fifteenth century, this small paper book hides its origins well. However, its Dutch rubrics and Latin texts make clear that the book is for the use of a community of sisters, led by a prioress, with the assistance of a priest. The rituals have aspects in common with those from other communities – the Dominicans, in particular – but they also have some striking differences. In the following article, I compare the music, texts and rituals held in the manuscript with those from known traditions. I argue that the manuscript was made for a community of Augustinian canonesses from the Windesheim congregation, most likely Beata Maria de Galilea in Ghent.