{"title":"瓦尔纳艺术家伊利亚·扬科夫(Ilia Yankov)在20世纪80年代和90年代创作的物品和装置","authors":"Irena Dimitrova","doi":"10.14748/isuvknv.v0i0.5831","DOIUrl":null,"url":null,"abstract":"The article examines objects and installations of the Varna artist Ilia Yankov, created in the 1980s and 1990s. The author works at the boundary between visual art and design, creating aesthetic works of glass and other materials with a dominant role of light. In terms of aesthetics this kind of creative searches are peripheral to postmodern visual practices, in which the principle of profane and grotesque comes to the fore.","PeriodicalId":30732,"journal":{"name":"Izvestiia Ikonomicheski universitet Varna","volume":"10 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Objects and installations of the Varna artist Ilia Yankov from the 1980s and 1990s\",\"authors\":\"Irena Dimitrova\",\"doi\":\"10.14748/isuvknv.v0i0.5831\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article examines objects and installations of the Varna artist Ilia Yankov, created in the 1980s and 1990s. The author works at the boundary between visual art and design, creating aesthetic works of glass and other materials with a dominant role of light. In terms of aesthetics this kind of creative searches are peripheral to postmodern visual practices, in which the principle of profane and grotesque comes to the fore.\",\"PeriodicalId\":30732,\"journal\":{\"name\":\"Izvestiia Ikonomicheski universitet Varna\",\"volume\":\"10 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Izvestiia Ikonomicheski universitet Varna\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14748/isuvknv.v0i0.5831\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Izvestiia Ikonomicheski universitet Varna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14748/isuvknv.v0i0.5831","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Objects and installations of the Varna artist Ilia Yankov from the 1980s and 1990s
The article examines objects and installations of the Varna artist Ilia Yankov, created in the 1980s and 1990s. The author works at the boundary between visual art and design, creating aesthetic works of glass and other materials with a dominant role of light. In terms of aesthetics this kind of creative searches are peripheral to postmodern visual practices, in which the principle of profane and grotesque comes to the fore.
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