{"title":"新兴出版商。所谓的伊丽莎白时代作家的创业精神。","authors":"Henriette Partzsch","doi":"10.1344/lectora2019.25.4","DOIUrl":null,"url":null,"abstract":"espanolEste articulo propone un abordaje interdisciplinario al estudio de las llamadas escritoras del canon isabelino para fomentar una mayor comprension de su impacto en la cultura contemporanea. Los casos de Angela Grassi, Faustina Saez de Melgar, Joaquina Garcia Balmaseda y Pilar Sinues de Marco muestran que su uso tactico del bricolage (Michel de Certeau) las situa en los intersticios de la autoria, el mundo de la edicion y la industria de la moda. Iluminar la relacion compleja entre su practica de la autoria y sus polifaceticas iniciativas comerciales seria otro reto para la nueva biografia historica. EnglishThis article argues for an interdisciplinary approach to the study of the so-called escritoras isabelinas, Spain’s mid-nineteenth century women writers, in order to develop a fuller understanding of their intervention in contemporaneous culture. The cases of Angela Grassi, Faustina Saez de Melgar, Joaquina Garcia Balmaseda and Pilar Sinues de Marco show that their tactical use of bricolage (Michel de Certeau) situates them at the interstices of authorship, the publishing sector and the fashion industry. The complex relations between their authorship and their multiple commercial initiatives would be best captured from the perspective of the new historical biography.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"28 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Editoras en ciernes. El espíritu empresarial de las llamadas escritoras isabelinas.\",\"authors\":\"Henriette Partzsch\",\"doi\":\"10.1344/lectora2019.25.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"espanolEste articulo propone un abordaje interdisciplinario al estudio de las llamadas escritoras del canon isabelino para fomentar una mayor comprension de su impacto en la cultura contemporanea. Los casos de Angela Grassi, Faustina Saez de Melgar, Joaquina Garcia Balmaseda y Pilar Sinues de Marco muestran que su uso tactico del bricolage (Michel de Certeau) las situa en los intersticios de la autoria, el mundo de la edicion y la industria de la moda. Iluminar la relacion compleja entre su practica de la autoria y sus polifaceticas iniciativas comerciales seria otro reto para la nueva biografia historica. EnglishThis article argues for an interdisciplinary approach to the study of the so-called escritoras isabelinas, Spain’s mid-nineteenth century women writers, in order to develop a fuller understanding of their intervention in contemporaneous culture. The cases of Angela Grassi, Faustina Saez de Melgar, Joaquina Garcia Balmaseda and Pilar Sinues de Marco show that their tactical use of bricolage (Michel de Certeau) situates them at the interstices of authorship, the publishing sector and the fashion industry. The complex relations between their authorship and their multiple commercial initiatives would be best captured from the perspective of the new historical biography.\",\"PeriodicalId\":41770,\"journal\":{\"name\":\"Lectora-Revista de Dones i Textualitat\",\"volume\":\"28 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-10-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Lectora-Revista de Dones i Textualitat\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1344/lectora2019.25.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Lectora-Revista de Dones i Textualitat","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1344/lectora2019.25.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章提出了一种跨学科的方法来研究伊丽莎白时代的作家,以促进对他们对当代文化的影响的更大的理解。安吉拉·格拉西(Angela Grassi)、福斯蒂娜·赛斯·德·梅尔加(Faustina Saez de Melgar)、华奎娜·加西亚·巴尔马塞达(Joaquina Garcia Balmaseda)和皮拉尔·西内斯·德·马尔科(Pilar Sinues de Marco)的案例表明,他们对diy的策略使用(米歇尔·德·塞托(Michel de Certeau))将他们置于作者、出版界和时尚行业的空白中。在他的职业生涯中,他的许多作品都是在他的职业生涯中创作的。本文提出了一种跨学科的方法来研究19世纪中期西班牙所谓的伊丽莎白时代女作家,以便对她们在当代文化中的作用形成全面的理解。安吉拉·格拉西(Angela Grassi)、福斯蒂娜·赛斯·德·梅尔加(Faustina Saez de Melgar)、华奎娜·加西亚·巴尔马塞达(Joaquina Garcia Balmaseda)和皮拉尔·西努斯·德·马尔科(Pilar Sinues de Marco)的案例表明,他们对diy的战术运用(米歇尔·德·塞托(Michel de Certeau))使他们处于作者、出版业和时尚业之间的差距。从新的历史传记的角度可以更好地理解它们的作者身份和它们的多种商业活动之间的复杂关系。
Editoras en ciernes. El espíritu empresarial de las llamadas escritoras isabelinas.
espanolEste articulo propone un abordaje interdisciplinario al estudio de las llamadas escritoras del canon isabelino para fomentar una mayor comprension de su impacto en la cultura contemporanea. Los casos de Angela Grassi, Faustina Saez de Melgar, Joaquina Garcia Balmaseda y Pilar Sinues de Marco muestran que su uso tactico del bricolage (Michel de Certeau) las situa en los intersticios de la autoria, el mundo de la edicion y la industria de la moda. Iluminar la relacion compleja entre su practica de la autoria y sus polifaceticas iniciativas comerciales seria otro reto para la nueva biografia historica. EnglishThis article argues for an interdisciplinary approach to the study of the so-called escritoras isabelinas, Spain’s mid-nineteenth century women writers, in order to develop a fuller understanding of their intervention in contemporaneous culture. The cases of Angela Grassi, Faustina Saez de Melgar, Joaquina Garcia Balmaseda and Pilar Sinues de Marco show that their tactical use of bricolage (Michel de Certeau) situates them at the interstices of authorship, the publishing sector and the fashion industry. The complex relations between their authorship and their multiple commercial initiatives would be best captured from the perspective of the new historical biography.
期刊介绍:
LECTORA. JOURNAL OF WOMEN AND TEXTUALITY, founded in 1995, is a space for debate and study of the intersections and shades between feminism and various forms of textuality within culture. Lectora is a multilingual publication published annually both in print and online formats (Open Access). The journal does not charge for submission, processing or publication of manuscripts.