{"title":"“皮草大衣和迟钝的词汇是不合适的”:一战期间弹药女郎的时尚和阶级表现","authors":"J. Richardson","doi":"10.3366/cost.2023.0246","DOIUrl":null,"url":null,"abstract":"This article offers new insights into the way fashion was used to identify and disseminate discourses surrounding patriotism and class during the First World War. Official directives encouraged frugality; thus any extravagance was deemed to be unpatriotic. Wartime narratives targeting the alleged disconnect between women and the reality of war were depicted in satirical cartoons. Upper-class women were depicted wearing expensive, new, ‘ragged’ clothes, whereas lower-class munition workers faced accusations of profligacy exemplified by the wearing of fur coats, previously out of their financial reach. Expensive furs had historically been considered the preserve of the wealthy and royal echelons of society. Therefore, the wearing of such garments, even if made from cheaper pelts, by lower-class female factory workers led to assumptions of their impropriety. Cartoons depicted consumer behaviour in terms of class, which further cemented the trope of the fur-wearing munitionette profiting from the war. The caricatures analysed in this article are contrasted with a consideration of the actual purchases made by working-class women, to add a more nuanced interpretation of the hyperbolic condemnation of munition workers during the First World War.","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘A fur coat and a blunted vocabulary are misfits’: Representations of Munitionettes’ Fashion and Class during the First World War\",\"authors\":\"J. Richardson\",\"doi\":\"10.3366/cost.2023.0246\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article offers new insights into the way fashion was used to identify and disseminate discourses surrounding patriotism and class during the First World War. Official directives encouraged frugality; thus any extravagance was deemed to be unpatriotic. Wartime narratives targeting the alleged disconnect between women and the reality of war were depicted in satirical cartoons. Upper-class women were depicted wearing expensive, new, ‘ragged’ clothes, whereas lower-class munition workers faced accusations of profligacy exemplified by the wearing of fur coats, previously out of their financial reach. Expensive furs had historically been considered the preserve of the wealthy and royal echelons of society. Therefore, the wearing of such garments, even if made from cheaper pelts, by lower-class female factory workers led to assumptions of their impropriety. Cartoons depicted consumer behaviour in terms of class, which further cemented the trope of the fur-wearing munitionette profiting from the war. The caricatures analysed in this article are contrasted with a consideration of the actual purchases made by working-class women, to add a more nuanced interpretation of the hyperbolic condemnation of munition workers during the First World War.\",\"PeriodicalId\":51969,\"journal\":{\"name\":\"Costume-The Journal of the Costume Society\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Costume-The Journal of the Costume Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/cost.2023.0246\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Costume-The Journal of the Costume Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/cost.2023.0246","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
‘A fur coat and a blunted vocabulary are misfits’: Representations of Munitionettes’ Fashion and Class during the First World War
This article offers new insights into the way fashion was used to identify and disseminate discourses surrounding patriotism and class during the First World War. Official directives encouraged frugality; thus any extravagance was deemed to be unpatriotic. Wartime narratives targeting the alleged disconnect between women and the reality of war were depicted in satirical cartoons. Upper-class women were depicted wearing expensive, new, ‘ragged’ clothes, whereas lower-class munition workers faced accusations of profligacy exemplified by the wearing of fur coats, previously out of their financial reach. Expensive furs had historically been considered the preserve of the wealthy and royal echelons of society. Therefore, the wearing of such garments, even if made from cheaper pelts, by lower-class female factory workers led to assumptions of their impropriety. Cartoons depicted consumer behaviour in terms of class, which further cemented the trope of the fur-wearing munitionette profiting from the war. The caricatures analysed in this article are contrasted with a consideration of the actual purchases made by working-class women, to add a more nuanced interpretation of the hyperbolic condemnation of munition workers during the First World War.
期刊介绍:
Costume is the journal of the Costume Society. It is a scholarly, refereed, academic publication presenting current research into historic and contemporary dress. The journal publishes articles primarily object-based, from a broad chronological period and with a worldwide remit. Costume maintains a balance between practice and theory and concentrates on the social significance of dress. Articles are welcomed from established researchers and those new to the field. The articles published in Costume are sent out for peer-review to ensure that they are of a high standard and make a contribution to dress history.