{"title":"乔恩·斯特拉顿、乔恩·戴尔和托尼·米切尔主编。澳大利亚专辑选集:批判性参与","authors":"Benjamin Hillier","doi":"10.46580/cx26553","DOIUrl":null,"url":null,"abstract":"An Anthology of Australian Albums: Critical Engagements is a welcome addition to the growing body of work that examines Australian popular music from a critical and scholarly perspective. It was conceptualised by eminent Australian musicologist Tony Mitchell as an academic companion to the often excellent work of non-academic journalists examining Australian popular music albums. As such, this book provides a critical perspective on Australian albums across a range of genres, from black metal to hip-hop, singer-songwriters, and the ever-present pub-rock bands that dominate the landscape of Australian popular music. This perspective leads the volume to consider some of these more common topics from new angles, omitting many of the great works of the canon of Australian rock royalty from the 1970s (AC/DC, The Angels, et al.) in favour of significant yet overlooked or marginalised artists. It is also decidedly contemporary in its choice of albums to analyse, with ten of the fifteen chapters focused on albums released in the twenty-first century, thus providing a valuable insight into recent developments in Australian popular music. Finally, the volume’s focus on individual works and albums makes it a useful complement to other scholarly volumes, such as Sounds of Then, Sounds of Now: Popular Music in Australia…","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jon Stratton, Jon Dale and Tony Mitchell, eds. An Anthology of Australian Albums: Critical Engagements\",\"authors\":\"Benjamin Hillier\",\"doi\":\"10.46580/cx26553\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An Anthology of Australian Albums: Critical Engagements is a welcome addition to the growing body of work that examines Australian popular music from a critical and scholarly perspective. It was conceptualised by eminent Australian musicologist Tony Mitchell as an academic companion to the often excellent work of non-academic journalists examining Australian popular music albums. As such, this book provides a critical perspective on Australian albums across a range of genres, from black metal to hip-hop, singer-songwriters, and the ever-present pub-rock bands that dominate the landscape of Australian popular music. This perspective leads the volume to consider some of these more common topics from new angles, omitting many of the great works of the canon of Australian rock royalty from the 1970s (AC/DC, The Angels, et al.) in favour of significant yet overlooked or marginalised artists. It is also decidedly contemporary in its choice of albums to analyse, with ten of the fifteen chapters focused on albums released in the twenty-first century, thus providing a valuable insight into recent developments in Australian popular music. Finally, the volume’s focus on individual works and albums makes it a useful complement to other scholarly volumes, such as Sounds of Then, Sounds of Now: Popular Music in Australia…\",\"PeriodicalId\":49562,\"journal\":{\"name\":\"Science in Context\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Science in Context\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.46580/cx26553\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science in Context","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.46580/cx26553","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Jon Stratton, Jon Dale and Tony Mitchell, eds. An Anthology of Australian Albums: Critical Engagements
An Anthology of Australian Albums: Critical Engagements is a welcome addition to the growing body of work that examines Australian popular music from a critical and scholarly perspective. It was conceptualised by eminent Australian musicologist Tony Mitchell as an academic companion to the often excellent work of non-academic journalists examining Australian popular music albums. As such, this book provides a critical perspective on Australian albums across a range of genres, from black metal to hip-hop, singer-songwriters, and the ever-present pub-rock bands that dominate the landscape of Australian popular music. This perspective leads the volume to consider some of these more common topics from new angles, omitting many of the great works of the canon of Australian rock royalty from the 1970s (AC/DC, The Angels, et al.) in favour of significant yet overlooked or marginalised artists. It is also decidedly contemporary in its choice of albums to analyse, with ten of the fifteen chapters focused on albums released in the twenty-first century, thus providing a valuable insight into recent developments in Australian popular music. Finally, the volume’s focus on individual works and albums makes it a useful complement to other scholarly volumes, such as Sounds of Then, Sounds of Now: Popular Music in Australia…
期刊介绍:
Science in Context is an international journal edited at The Cohn Institute for the History and Philosophy of Science and Ideas, Tel Aviv University, with the support of the Van Leer Jerusalem Institute. It is devoted to the study of the sciences from the points of view of comparative epistemology and historical sociology of scientific knowledge. The journal is committed to an interdisciplinary approach to the study of science and its cultural development - it does not segregate considerations drawn from history, philosophy and sociology. Controversies within scientific knowledge and debates about methodology are presented in their contexts.