I. K. Arba Wirawan, I. M. Ruta, Paul Trinidad, I. Darmawan, I. M. Saryana, Made Rai Budaya Bumiarta
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The method of data collection was conducted through observation, interviews, and documentation; online and offline. The Angkara movie was analyzed from the initial scene to the final scene qualitatively using the approach of setting, directing style, blocking, costumes, lighting, and revealing the aesthetics of the Angkara film. The result found that Angkara is a comedy genre film based on Balinese traditions. Directing style, and blocking the placement of Clekonteng Mas were successful role measurements in acting. The costumes of Angkara actors with traditional Balinese characteristics can describe the comedian's situation based on Balinese’s local wisdom. The social phenomenon in the production of the Angkara movie was produced and won national and international festivals. Presenting local Balinese cultural identity can be a source of film creation and characteristics to enrich the aesthetics of Balinese’s local wisdom in the form of films.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"8 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Angkara Movie Based on Bali Traditional Art\",\"authors\":\"I. K. Arba Wirawan, I. M. Ruta, Paul Trinidad, I. Darmawan, I. M. Saryana, Made Rai Budaya Bumiarta\",\"doi\":\"10.31091/mudra.v38i1.2164\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This research aimed to discover how the Angkara movie is based on Balinese traditional art and to find out the mise and scene in the pre-production, production, and post-production processes. 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Directing style, and blocking the placement of Clekonteng Mas were successful role measurements in acting. The costumes of Angkara actors with traditional Balinese characteristics can describe the comedian's situation based on Balinese’s local wisdom. The social phenomenon in the production of the Angkara movie was produced and won national and international festivals. Presenting local Balinese cultural identity can be a source of film creation and characteristics to enrich the aesthetics of Balinese’s local wisdom in the form of films.\",\"PeriodicalId\":32449,\"journal\":{\"name\":\"Mudra Jurnal Seni Budaya\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mudra Jurnal Seni Budaya\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31091/mudra.v38i1.2164\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mudra Jurnal Seni Budaya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31091/mudra.v38i1.2164","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究旨在发现安卡拉电影是如何以巴厘传统艺术为基础,并找出在前期制作,制作和后期制作过程中的场景和场景。Clekontong Mas是巴厘岛人的喜剧演员工作室(Bondres),在社区中很有名,也很受欢迎。Clekontong被翻译为仪式媒介,Mas的意思是高贵。这家工作室成立于2012年,由I Komang Dedi Diana (Tompel), I Ketut Gede Rudita (Sokir)和I Nyoman Ardika (Sengap)开创。邦德斯完全有机会成为创新电影制作的灵感来源。然而,并没有相关的研究对其进行进一步的研究。数据来源使用了安卡拉电影、电影导演、文化专家和观众。数据收集方法采用观察、访谈、文献法;线上和线下。运用场景设置、导演风格、阻隔、服装、灯光等方法,对安卡拉电影从最初的场景到最后的场景进行定性分析,揭示安卡拉电影的美学。结果发现,《安卡拉》是一部基于巴厘传统的喜剧类型电影。导演风格、克克康腾马的阻挡放置是成功的表演角色衡量标准。具有传统巴厘特色的安卡拉演员服饰,可以根据巴厘人的地方智慧来描述喜剧演员的处境。这一社会现象在安卡拉电影的制作过程中被制作出来并赢得了国内和国际的节日。呈现巴厘本土文化身份可以成为电影创作的源泉和特色,以电影的形式丰富巴厘本土智慧的美学。
This research aimed to discover how the Angkara movie is based on Balinese traditional art and to find out the mise and scene in the pre-production, production, and post-production processes. Clekontong Mas for the Balinese people is a comedian studio (Bondres), which is well known and admired by the community. Clekontong is translated as ritual media, and Mas means noble. This studio was founded in Denpasar in 2012 and pioneered by I Komang Dedi Diana (Tompel), I Ketut Gede Rudita (Sokir), and I Nyoman Ardika (Sengap). Bondres profoundly has the opportunity to be the inspiration for innovative film productions. However, there is no related research that has examined it further. The data sources used Angkara movies, film directors, cultural experts, and the audience. The method of data collection was conducted through observation, interviews, and documentation; online and offline. The Angkara movie was analyzed from the initial scene to the final scene qualitatively using the approach of setting, directing style, blocking, costumes, lighting, and revealing the aesthetics of the Angkara film. The result found that Angkara is a comedy genre film based on Balinese traditions. Directing style, and blocking the placement of Clekonteng Mas were successful role measurements in acting. The costumes of Angkara actors with traditional Balinese characteristics can describe the comedian's situation based on Balinese’s local wisdom. The social phenomenon in the production of the Angkara movie was produced and won national and international festivals. Presenting local Balinese cultural identity can be a source of film creation and characteristics to enrich the aesthetics of Balinese’s local wisdom in the form of films.