《cocagne的桅杆》(1979)和rene Depestre的《all my dreams中的Hadriana》(1988)中的嘉年华派对和表演

ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI:10.30687/TOL/2499-5975/2018/20/010

Irene Alvarez Domenech

{"title":"《cocagne的桅杆》(1979)和rene Depestre的《all my dreams中的Hadriana》(1988)中的嘉年华派对和表演","authors":"Irene Alvarez Domenech","doi":"10.30687/TOL/2499-5975/2018/20/010","DOIUrl":null,"url":null,"abstract":"The aim of this article is to bring together two of René Despestre’s novels, Le Mât de cocagne (1979) and Hadriana dans tous mes rêves (1988), and place them within the tradition of the carnivalesque as it was discussed by Mikhail Bakhtin in L’œuvre de François Rabelais et la culture populaire au Moyen Âge et sous la Renaissance. By taking into account this wider perspective, I intend to show that the presence of a diegetic spectacle reinforces the subversive value of the two works by including a moment of utopian relief that invites both the characters and the readers to engage in a fight for freedom.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"2 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La fête et le spectacle carnavalesques dans Le Mât de cocagne (1979) et Hadriana dans tous mes rêves (1988) de René Depestre\",\"authors\":\"Irene Alvarez Domenech\",\"doi\":\"10.30687/TOL/2499-5975/2018/20/010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this article is to bring together two of René Despestre’s novels, Le Mât de cocagne (1979) and Hadriana dans tous mes rêves (1988), and place them within the tradition of the carnivalesque as it was discussed by Mikhail Bakhtin in L’œuvre de François Rabelais et la culture populaire au Moyen Âge et sous la Renaissance. By taking into account this wider perspective, I intend to show that the presence of a diegetic spectacle reinforces the subversive value of the two works by including a moment of utopian relief that invites both the characters and the readers to engage in a fight for freedom.\",\"PeriodicalId\":8495,\"journal\":{\"name\":\"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/TOL/2499-5975/2018/20/010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/TOL/2499-5975/2018/20/010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

本文的目的是将ren·德佩斯特雷的两部小说，Le m de cocagne(1979)和Hadriana dans tous mes rêves(1988)结合起来，并将它们置于米哈伊尔·巴赫金在L ' œuvre de franois Rabelais et la culture populaire au Moyen Âge et sous la Renaissance中所讨论的嘉年华式传统中。考虑到这一更广泛的视角，我打算通过包括乌托邦救济的时刻，邀请角色和读者参与到争取自由的斗争中来，展示叙事景观的存在强化了这两部作品的颠覆性价值。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

La fête et le spectacle carnavalesques dans Le Mât de cocagne (1979) et Hadriana dans tous mes rêves (1988) de René Depestre

The aim of this article is to bring together two of René Despestre’s novels, Le Mât de cocagne (1979) and Hadriana dans tous mes rêves (1988), and place them within the tradition of the carnivalesque as it was discussed by Mikhail Bakhtin in L’œuvre de François Rabelais et la culture populaire au Moyen Âge et sous la Renaissance. By taking into account this wider perspective, I intend to show that the presence of a diegetic spectacle reinforces the subversive value of the two works by including a moment of utopian relief that invites both the characters and the readers to engage in a fight for freedom.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)

自引率

0.00%

发文量