诗歌创作的发展模式是一个社会语境化的过程

Anthony Wilson, S. Dymoke
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引用次数: 7

摘要

对学习者诗歌创作发展的理论解释相对较新,与其他体裁相比,很少有。无论是写作发展的认知模型,还是诗人实践者或受启发的专家的描述,都没有充分细致地反映诗歌创作的复杂性。这些模式中缺失的还有学习写诗的社会背景。我们将维果茨基关于内在言语的象征功能的研究与文献记载的诗人“回答”他们所属的社会世界联系起来。本文借鉴舒尔茨和费可对诗歌写作发展的研究,提出了一个考虑学习者多变社会环境的诗歌写作发展理论模型。这种融合是对写作发展理论的新贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards a model of poetry writing development as a socially contextualised process
Theoretical explanations of learners' poetry writing development are relatively new and, compared to other genres, rare. Neither the cognitive models of writing development, nor the descriptions of poet-practitioners or inspired experts give a fully nuanced representation of the complexity at play in poetry composition. Also missing from these models is the social context of learning to write poetry. We link Vygotsky's work on the symbolic function of inner speech to documented accounts of poets 'answering' the social world to which they belong. We propose a theoretical model of development in poetry writing that takes into account learners’ fluid social contexts, and which draws on Schultz and Fecho's survey of writing development. This fusion is a new contribution to theorisations of writing development.
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