长康巴里斯舞在西达塔帕村的意义及旅游吸引力潜力研究

I. Trisnawati, Dedi Gusman
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引用次数: 0

摘要

本研究旨在确定西达塔帕村巴里斯长康舞作为旅游景点的意义和潜力。这种舞蹈与巴厘岛的阿迦文化非常有特色,与巴厘岛的一般文化不同。本研究从确定西达塔帕村的位置开始,本质上是定性的。通过深入访谈、观察和文献研究收集数据。结果采用交互分析进行分析。结果表明,西达塔帕村巴里斯羌康舞俗称羌康舞或战舞。这个舞蹈被用来代表西达塔帕社区在处理扰乱村庄和平的敌人时的战士精神。巴里长康舞的舞者分为两种类型,即truna舞者(从不跳舞)和surudan舞者(已经跳舞)。它的地位分为prabangsa(领导)和prawira(部队)。第一种可能是观看舞蹈和打鼓练习。第二种是在演出期间观看现场直播。第三,以各种形式出售巴里斯扬卡舞蹈的各种文件,如vcd,照片,衣服和作为Sidatapa的纪念品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jangkang Baris Dance in Sidatapa Village Study on The Meaning And Potential as Tourist Attraction
This study aims to determine the meaning and potential as a tourist attraction for the Baris Jangkang Dance in Sidatapa village. This dance is very distinctive with the Balinese Aga culture which is different from Balinese culture in general. This research is qualitative in nature starting with determining the location in Sidatapa village. Collecting data using in-depth interviews, observation, and document studies. The results were analyzed using interactive analysis. The results showed that the Baris Jangkang Dance in Sidatapa village was popularly known as the Jangkang dance or war dance. This dance is used as a representation of the warrior spirit of the Sidatapa community in dealing with enemies who disturb the peace of the village. Baris Jangkang dance dancers are divided into two types of dancers, namely truna dancers (never dance) and surudan dancers (already dancing). Its position is divided into prabangsa (leader) and prawira (troop). The first potential could be watching dance and drum practice. The second is by watching live during the show. Third, selling various documentations of the Baris Jangka dance in various forms, such as VCDs, photos, clothes and as souvenirs for Sidatapa.
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