{"title":"当观音遇见圣母:中国圣母再思考展于芝加哥菲尔德自然历史博物馆","authors":"Huijun Li","doi":"10.1353/bcs.2020.0019","DOIUrl":null,"url":null,"abstract":"abstract:Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to figure out the relationship between this painting and Salus Populi Romani in Santa Maria Maggiore, Rome, its original painter, creation time, and actual theme.","PeriodicalId":41170,"journal":{"name":"Buddhist-Christian Studies","volume":"9 1","pages":"345 - 368"},"PeriodicalIF":0.1000,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"When Guanyin Encounters Madonna: Rethinking on Chinese Madonna from the Field Museum of Natural History, Chicago\",\"authors\":\"Huijun Li\",\"doi\":\"10.1353/bcs.2020.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to figure out the relationship between this painting and Salus Populi Romani in Santa Maria Maggiore, Rome, its original painter, creation time, and actual theme.\",\"PeriodicalId\":41170,\"journal\":{\"name\":\"Buddhist-Christian Studies\",\"volume\":\"9 1\",\"pages\":\"345 - 368\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-12-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Buddhist-Christian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/bcs.2020.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Buddhist-Christian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/bcs.2020.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
摘要
芝加哥菲尔德自然历史博物馆收藏的《中国圣母像》是展示中西方宗教和艺术交流的物证。本文从图像学的角度出发,在Berthold Laufer博士早期研究的基础上,试图找出这幅画与罗马Santa Maria Maggiore的Salus Populi Romani、原作者、创作时间、实际主题之间的关系。
When Guanyin Encounters Madonna: Rethinking on Chinese Madonna from the Field Museum of Natural History, Chicago
abstract:Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to figure out the relationship between this painting and Salus Populi Romani in Santa Maria Maggiore, Rome, its original painter, creation time, and actual theme.
期刊介绍:
Buddhist-Christian Studies is a scholarly journal devoted to Buddhism and Christianity and their historical and contemporary interrelationships. The journal presents thoughtful articles, conference reports, and book reviews and includes sections on comparative methodology and historical comparisons, as well as ongoing discussions from two dialogue conferences: the Theological Encounter with Buddhism, and the Japan Society for Buddhist-Christian Studies. Subscription is also available through membership in the Society for Buddhist-Christian Studies .