《惊奇的艺术:对天赋和优雅的反思》,爱丽丝·布里坦著

Pub Date : 2022-08-17 DOI:10.25159/1753-5387/11721
Alan Northover
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引用次数: 0

摘要

爱丽丝·布里顿的《惊奇的艺术:对礼物和恩典的反思》(2022)是一幅丰富的挂毯,它融合了广泛的文化知识和亲密的个人经历。赫尔墨斯和其他骗子人物的故事贯穿整个叙事,揭示了优雅的灵活和经常令人惊讶的存在。虽然布里坦的书是独立的,但熟悉刘易斯·海德的《礼物:创造性精神如何改变世界》和《骗子创造了这个世界:恶作剧、神话和艺术》将丰富她的书的阅读,这两篇文章特别启发了布里坦,她在书中引用了这两篇文章。布里顿的写作风格也受到海德的影响,她在书中穿插了一些可引用的精辟陈述——例如,“恩典永远是不适当的,是一件永远无法获得或意愿的事情”(32页)和“恩典是一种过度的形式,这就是为什么它总是一种精神焕发和增长的体验”(144页)——以及对案例研究的深入探索和对各种文本的深刻解读。布里坦的博学模仿了海德,因为她的文章条理清晰
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The Art of Astonishment: Reflections on Gifts and Grace, by Alice Brittan
The Art of Astonishment: Reflections on Gifts and Grace (2022) by Alice Brittan is a rich tapestry of extensive cultural knowledge and intimate personal experience. The stories of Hermes and other trickster figures are strands woven throughout the narrative revealing the flexible and often surprising presence of grace. Although Brittan’s book stands on its own, familiarity with Lewis Hyde’s The Gift: How the Creative Spirit Transforms the World and Trickster Makes This World: Mischief, Myth, and Art will enrich a reading of her book, two texts that especially inspired Brittan and which she cites throughout. Brittan’s style is also indebted to Hyde, as she intersperses quotable pithy statements—for instance, “Grace is always undue, an event that can never be earned or willed” (32) and “Grace is a form of excess, which is why it is always an experience of refreshment and increase” (144)—with in-depth explorations of case studies and insightful readings of a diverse range of texts. Brittan’s erudition emulates Hyde’s, as she coherently synthesises
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