莫德玛塔·丰特的《弗洛里多罗:召唤但丁重塑喀耳刻神话》

IF 0.1 0 LANGUAGE & LINGUISTICS
Giulia Andreoni
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引用次数: 0

摘要

在《佛罗里达》(1581)一书中,Moderata Fonte揭露了文学中贬低女性的比喻。她修改了尤利西斯的叙述,使最初的罪恶不是来自喀耳刻,而是来自尤利西斯自己,他夺取了女巫的力量,抛弃了她和他们的女儿喀耳刻。在重新塑造这个神话的过程中,丰特依靠但丁对尤利西斯的描述,把他描绘成欺诈和狡猾的人,以挑战英雄骑士的形象,她把伊萨卡岛描绘成另一个地狱、炼狱和天堂的所在地。她的目的是提高人们对压迫女性的征服机制的意识,从而可能打破不断重复的恶性循环。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Moderata Fonte's Floridoro: Invoking Dante to Refashion the Myth of Circe
In Floridoro (1581), Moderata Fonte exposes literary tropes that undermine women. She revises the narrative of Ulysses so that the original misdeed comes not from Circe but rather from Ulysses himself, who seizes the sorceress's powers and abandons both her and their daughter Circetta. In refashioning the myth, Fonte relies on Dante's representation of Ulysses as fraudulent and cunning in order to challenge the trope of the heroic knight, and she presents the island of Ithaca as another locus of hell, purgatory, and paradise. Her aim is to raise consciousness about the subjugating mechanisms that oppress women, and thus possibly break an ever-repeating infernal cycle.
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