{"title":"海外的“英国贝丝”:托马斯·海伍德戏剧中的海盗、政治和性别","authors":"S. Jones","doi":"10.1080/21533369.2016.1253305","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article considers three plays on the theme of piracy written by Thomas Heywood between 1597 and 1631: The fair maid of the west, part I and part II, and Fortune by land and sea (co-authored with William Rowley). Though all of these plays are set during the reign of Elizabeth I, only The fair maid of the west, part I was written during her lifetime, the two later works being written during the reigns of her successors, James I and Charles I. These plays can be read as a vehicle by which the very different attitudes towards piracy, foreign policy, and national expansion demonstrated by the three consecutive monarchs were interrogated, contrasted, and critiqued. Considered separately each of these works offers a snapshot of the popular view of piracy and privateering at the time of writing; read together they give a much broader insight into contemporary attitudes towards the evolution of England as a maritime power.","PeriodicalId":38023,"journal":{"name":"Journal for Maritime Research","volume":"30 1","pages":"81 - 96"},"PeriodicalIF":0.0000,"publicationDate":"2016-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"‘English Bess’ abroad: piracy, politics, and gender in the plays of Thomas Heywood\",\"authors\":\"S. Jones\",\"doi\":\"10.1080/21533369.2016.1253305\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article considers three plays on the theme of piracy written by Thomas Heywood between 1597 and 1631: The fair maid of the west, part I and part II, and Fortune by land and sea (co-authored with William Rowley). Though all of these plays are set during the reign of Elizabeth I, only The fair maid of the west, part I was written during her lifetime, the two later works being written during the reigns of her successors, James I and Charles I. These plays can be read as a vehicle by which the very different attitudes towards piracy, foreign policy, and national expansion demonstrated by the three consecutive monarchs were interrogated, contrasted, and critiqued. Considered separately each of these works offers a snapshot of the popular view of piracy and privateering at the time of writing; read together they give a much broader insight into contemporary attitudes towards the evolution of England as a maritime power.\",\"PeriodicalId\":38023,\"journal\":{\"name\":\"Journal for Maritime Research\",\"volume\":\"30 1\",\"pages\":\"81 - 96\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for Maritime Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21533369.2016.1253305\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for Maritime Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21533369.2016.1253305","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
‘English Bess’ abroad: piracy, politics, and gender in the plays of Thomas Heywood
ABSTRACT This article considers three plays on the theme of piracy written by Thomas Heywood between 1597 and 1631: The fair maid of the west, part I and part II, and Fortune by land and sea (co-authored with William Rowley). Though all of these plays are set during the reign of Elizabeth I, only The fair maid of the west, part I was written during her lifetime, the two later works being written during the reigns of her successors, James I and Charles I. These plays can be read as a vehicle by which the very different attitudes towards piracy, foreign policy, and national expansion demonstrated by the three consecutive monarchs were interrogated, contrasted, and critiqued. Considered separately each of these works offers a snapshot of the popular view of piracy and privateering at the time of writing; read together they give a much broader insight into contemporary attitudes towards the evolution of England as a maritime power.
期刊介绍:
The Journal for Maritime Research ( JMR ), established by the National Maritime Museum in 1999, focuses on historical enquiry at the intersections of maritime, British and global history. It champions a wide spectrum of innovative research on the maritime past. While the Journal has a particular focus on the British experience, it positions this within broad oceanic and international contexts, encouraging comparative perspectives and interdisciplinary approaches. The journal publishes research essays and reviews around 15-20 new books each year across a broad spectrum of maritime history. All research articles published in this journal undergo rigorous peer review, involving initial editor screening and independent assessment, normally by two anonymous referees.