朱尔斯·罗曼斯《狐耳庞》的早期历史

IF 0.1 3区社会学 0 LITERATURE, BRITISH ISLES

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2009-01-01 DOI:10.34136/sederi.2009.6

Purificación Ribes Traver

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引用次数: 0

摘要

1928年，朱尔斯·罗曼斯的免费版《狐坡涅》首次公演时，没有哪部改编版像它那样受到如此热烈的欢迎。它在舞台上举办了250多个晚上，并在接下来的季节巡回演出时继续吸引大量观众。本文的目的是通过分析剧本的戏剧优点和查尔斯·杜林和查尔斯·巴雷特合奏团的表演能力来揭示如此巨大成功的原因。节目单、戏剧节目和评论所提供的信息揭示了观众的期望。他们可以评估他们喜欢的意识形态方法，以及他们喜欢的表演技巧。

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The Early Stage History of Jules Romains’ Volpone

No other adaptation of Volpone has ever received as enthusiastic a reception as Jules Romains’ free version did when it premièred in 1928. It held the stage for over 250 nights and continued to attract large numbers of spectators when taken on tour during the seasons following. The aim of this paper is to uncover the reasons for such overwhelming success by analysing both the theatrical merits of the script and the performing abilities of Charles Dullin’s and Chalres Baret’s ensembles. The information provided by playbills, theatre programmes and critical reviews cast light on the horizon of expectations of their audiences. They make possible an assessment of the ideological approach they favoured as well as of the staging techniques they preferred.

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来源期刊

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Multiple-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.