桎梏母亲

Duygu Onay-Çöker
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引用次数: 0

摘要

本文以土耳其最畅销的婴儿纸尿裤广告为案例,从双重视角研究母性的表现。第一个视角通过运用劳拉·穆尔维的“男性凝视”概念来分析母性的表征,认为女性被男性凝视客观化,成为意义的承担者而不是意义的创造者。此外,对婴儿纸尿裤广告中女性形象的仔细解读所产生的主题进行了讨论。第二个观点包括通过质疑婴儿尿布总是与女性相一致的事实来审视“母性”一词的话语策略,从而也将其降低为市场上的商品。第二种视角运用茱莉亚·克里斯蒂娃的《符号学的合唱团》来揭示男性统治意识形态所创造的关于母性的神话,并通过这种视角寻求可能的替代方案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Problematizing Motherhood
In this paper, I focus on the representation of motherhood from a two-fold perspective by choosing the bestselling Turkish baby diapers advertisements as a case study of broadcasting in Turkish media. The first perspective analyzes the representation of motherhood by applying the concept of “Male Gaze” by Laura Mulvey, according to whom a woman is objectified by the male gaze and becomes a bearer of meaning rather than a maker of meaning. Further, the themes emerging from a careful reading of representations of women in advertisements of baby diapers are discussed. The second perspective consists of looking at discursive strategies of the term “motherhood” by problematizing the fact that baby diapers are always identified with women, thereby also reducing them to commodities in the market. The second perspective applies Julia Kristeva’s “The Semiotic Chora” to reveal the myths about motherhood created by the ruling ideology of the males, and to seek possible alternatives through that perspective.
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