巴基斯坦乌尔都语婚礼歌曲中的性别角色

Syeda Bushra Zaidi
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引用次数: 0

摘要

这项对巴基斯坦-乌尔都语婚礼歌曲的定性研究,可以让我们更仔细地观察性别状况,并有助于理解基于性别的刻板印象的构建和延续过程。然而,本研究的主要关注点是了解每种性别的描绘以及这种描绘是否强调传统的性别角色和性别不平等的问题。本研究采用语篇分析的视角,对十七首婚礼歌曲的歌词文本数据进行分析。歌曲的选择是基于有目的的抽样技术。这些数据是通过对歌曲的音频进行转录和录制来收集的。主题分析的结果是13个主题,其中10个主题描绘女性,4个主题描绘男性。这些主题揭示了支持和强化基于性别的刻板印象的重要发现,也反映了性别等级、规范的异性恋关系、亲属规范和性别颠覆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender Roles in Pakistani-Urdu Wedding Song
This qualitative study of Pakistani-Urdu wedding songs allows a closer look at the gender situation, and towards the understanding of the process of construction and perpetuation of gender-based stereotypes. However, the major concern of this study is to understand the portrayal of each gender along with the question that does such portrayal underlines the traditional gender roles and gender inequality. Taking a discourse analysis perspective, this study analyzes textual data from the lyrics of the seventeen wedding songs. The song selection was based on purposive sampling technique. The data were collected through transcription and recording of the audios of the songs. As a result of thematic analysis thirteen themes emerged, ten portraying the female gender and four portraying the male gender. These themes reveal important findings that support and reinforce the gender-based stereotypes and also reflect gender hierarchy, normative heterosexual relationships, kinship norms and gender subversions.
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