{"title":"业余爱好者的作品还是业余爱好者的作品?","authors":"Nathalie Richard, Hadrien Viraben","doi":"10.1163/18253911-bja10070","DOIUrl":null,"url":null,"abstract":"\n From 1873 onwards, Scottish antiquarian James Miln (1819–1881) undertook an uninterrupted series of excavations in Carnac, for which he used his skills as a draughtsman and a photographer. The archives and printed sources conserving the traces of his activities thus contain an extensive array of images: sketches drawn in his excavation notebooks; watercolour landscapes; engraved illustrations for his books; models sculpted from his surveys of archaeological sites. Through this visual production, Miln embodied successive and overlaying types of amateurism, from a gentleman dilettante to a grand amateur, closely resembling a specialist while being able to establish working conditions comparable to those of the (few) contemporary professionals.","PeriodicalId":54710,"journal":{"name":"Nuncius-Journal of the History of Science","volume":"13 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Work of a Dilettante or a Grand Amateur?\",\"authors\":\"Nathalie Richard, Hadrien Viraben\",\"doi\":\"10.1163/18253911-bja10070\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n From 1873 onwards, Scottish antiquarian James Miln (1819–1881) undertook an uninterrupted series of excavations in Carnac, for which he used his skills as a draughtsman and a photographer. The archives and printed sources conserving the traces of his activities thus contain an extensive array of images: sketches drawn in his excavation notebooks; watercolour landscapes; engraved illustrations for his books; models sculpted from his surveys of archaeological sites. Through this visual production, Miln embodied successive and overlaying types of amateurism, from a gentleman dilettante to a grand amateur, closely resembling a specialist while being able to establish working conditions comparable to those of the (few) contemporary professionals.\",\"PeriodicalId\":54710,\"journal\":{\"name\":\"Nuncius-Journal of the History of Science\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-09-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nuncius-Journal of the History of Science\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1163/18253911-bja10070\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY & PHILOSOPHY OF SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nuncius-Journal of the History of Science","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1163/18253911-bja10070","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
From 1873 onwards, Scottish antiquarian James Miln (1819–1881) undertook an uninterrupted series of excavations in Carnac, for which he used his skills as a draughtsman and a photographer. The archives and printed sources conserving the traces of his activities thus contain an extensive array of images: sketches drawn in his excavation notebooks; watercolour landscapes; engraved illustrations for his books; models sculpted from his surveys of archaeological sites. Through this visual production, Miln embodied successive and overlaying types of amateurism, from a gentleman dilettante to a grand amateur, closely resembling a specialist while being able to establish working conditions comparable to those of the (few) contemporary professionals.
期刊介绍:
Nuncius is a peer-reviewed, international journal devoted to the historical role of material and visual culture in science.
Nuncius explores the material sources of scientific endeavor, such as scientific instruments and collections, the specific settings of experimental practice, and the interactions between sciences and arts. The materiality of science is a fundamental source for the understanding of its history, and the visual representation of its concepts and objects is equally crucial. Nuncius focuses on the exploration of increasingly-varied modes of visual description of observed reality. Founded in 1976, Nuncius was originally published as Annali dell''Istituto e Museo di Storia della Scienza.