二十世纪上半叶民族解放运动作品中的上帝概念

Liliya Bachun
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The variability of using the theonim «God» have been described in the article, as well as its functional load in constant expressions, phrases, verbal constructions. Despite the fact that the analyzed 19 fiction and memoir novels are mostly military and social oriented, and yet the concept of «God» is present in all works perfectly. Since Ukraine, thanks to St. Vladimir, is a Christian state, and actually was Christian in 1917-1954, despite the prohibition of believing in God by the Soviet state, the texts mostly are the most part, are the deities of the Christian belief. «God» as a single-element proper name is mentioned approximately 228 times in the seven novels about the liberation movement of UPA. In addition, the anthroponimicon of the texts about the liberation period of 1917-1922 years (12 novels) counts 1930 units, where there are separately 135 references to the theonim «God». 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引用次数: 0

摘要

本文分析了神学语言学的主要概念、历史、现状和进一步发展的前景。宗教语言学目前正处于建立的过程中:不仅是乌克兰的,而且是外国的,作为后苏联文艺复兴的结果。对神学语言学这样一门年轻的语言科学的一些研究,它的方法论和一些术语的形成,作家理论在小说作品中的运用及其功能负荷,形成了所选主题的相关性。在关于二十世纪上半叶民族解放运动的小说和回忆录作品中使用神性“上帝”的动机也被确定为其在文本中的定量功能。在文章中描述了使用神词“上帝”的可变性,以及它在经常表达、短语、动词结构中的功能负荷。尽管所分析的19部小说和回忆录小说大多以军事和社会为导向,但“上帝”的概念却完美地呈现在所有作品中。由于圣弗拉基米尔,乌克兰是一个基督教国家,实际上在1917-1954年是基督教国家,尽管苏联政府禁止信仰上帝,但文本大部分都是基督教信仰的神。“上帝”作为一个单一元素的专有名称,在七部关于UPA解放运动的小说中被提到了大约228次。此外,关于1917-1922年解放时期的文本的anthroponimicon(12部小说)共有1930个单元,其中分别有135个关于神的参考。这些数字并不是分析小说中使用神祗“上帝”的程度的最终衡量标准,因为我们没有考虑到它的变体。为了分析神祗"上帝"的可变性,我们指出以下几个子组:a)神祗"上帝"在小说文本中使用的变体:我们从19篇被分析的小说中确定了神祗"上帝"使用的10种变体,作者通过人物的语言在文本中指出;b)减少爱抚的名字;c)感谢上帝并赞美他;D)用神来表达愿望或祝福;e)在神的大能中表达盼望;f)“上帝”在句子中作为表达哭泣的方式;g)神学文本中的“上帝”概念,问候语,谚语,在分析的小说文本中起作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The concept of GOD in works about the national liberation movement of the first half of the XX century
The main concepts of theolinguistics, its history, actual state and prospects for the further development have been analyzed in this article. Religious linguistics is currently in the process of establishing: not only Ukrainian, but also foreign, as a consequence of the post-Soviet Renaissance. A little researchness of a such young linguistic science, as theolinguistics, the formation of its methodology and a number of terms, the use of the writers theories in fiction works and their functional load formulate the relevance of the chosen topic. The motives of using the theonim «God» in the fiction and memoir works about the national liberation movement of the first half of the twentieth century have also been determined with its quantitative functioning in the texts. The variability of using the theonim «God» have been described in the article, as well as its functional load in constant expressions, phrases, verbal constructions. Despite the fact that the analyzed 19 fiction and memoir novels are mostly military and social oriented, and yet the concept of «God» is present in all works perfectly. Since Ukraine, thanks to St. Vladimir, is a Christian state, and actually was Christian in 1917-1954, despite the prohibition of believing in God by the Soviet state, the texts mostly are the most part, are the deities of the Christian belief. «God» as a single-element proper name is mentioned approximately 228 times in the seven novels about the liberation movement of UPA. In addition, the anthroponimicon of the texts about the liberation period of 1917-1922 years (12 novels) counts 1930 units, where there are separately 135 references to the theonim «God». These numbers are not the final measure of the degree of the use of the theonim «God» in the analyzed novels, as we do not take into account its variants. To analyze the variability of the theonim «God» we point out the following subgroups: a) variants of the use of the theonim «God» in the texts of the novels: we have identified 10 variants of the use of the theonim «God» from 19 analyzed novels that writers point in the texts through the speech of the characters’ speech; b) reduced-caress names;c) gratitude to God and His praise; d) the use of the theonim to express a wish or a blessing; e) expression of hope in God's power; f) «God» as a way of expressing a cry in the sentence; g) the concept of «God» in theological texts, greetings, proverbs, which function in the texts of the analyzed novels.
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