罗纳德和凯瑟琳·伯恩特的田野工作图纸:民族志遭遇的材料地点

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY
Siti Sarah Ridhuan
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引用次数: 0

摘要

本文考察了绘画在澳大利亚人类学家罗纳德·伯恩特和凯瑟琳·伯恩特的田野工作生涯中的作用。这项调查起源于西澳大利亚大学的伯恩特人类学博物馆,伯恩特夫妇于1976年将其建立为人类学研究博物馆,以收藏他们在人种学研究期间收集的材料。我利用博物馆的档案来展示三组关键的绘画:1945年的Birrindudu蜡笔画(大约811件),1945年的Katherine赭石画(9件)和1947年的Yirrkala蜡笔画(365件)。在这样做的过程中,我认为这些图画被定位为民族志遭遇的材料地点,揭示了对话和交流的过程,这些过程是由“在现场”的现实所引导和塑造的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ronald and Catherine Berndt’s Fieldwork Drawings: Material Sites of Ethnographic Encounter
ABSTRACT This article examines the role of drawings in the fieldwork careers of Australian anthropologists Ronald and Catherine Berndt. This investigation originates from the Berndt Museum of Anthropology at the University of Western Australia, which the Berndts established as the Anthropology Research Museum in 1976 to house materials collected during their ethnographic research. I make use of the Museum’s archive to contextualise three key sets of drawings: the 1945 Birrindudu crayon drawings (around 811 items), the 1945 Katherine ochre drawings (9 items) and the 1947 Yirrkala crayon drawings (365 items). In doing so, I argue that positioned as material sites of ethnographic encounter, these drawings reveal processes of dialogue and exchange that were navigated and shaped by the realities of being ‘in the field’.
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来源期刊
Anthropological Forum
Anthropological Forum ANTHROPOLOGY-
CiteScore
3.60
自引率
10.00%
发文量
14
期刊介绍: Anthropological Forum is a journal of social anthropology and comparative sociology that was founded in 1963 and has a distinguished publication history. The journal provides a forum for both established and innovative approaches to anthropological research. A special section devoted to contributions on applied anthropology appears periodically. The editors are especially keen to publish new approaches based on ethnographic and theoretical work in the journal"s established areas of strength: Australian culture and society, Aboriginal Australia, Southeast Asia and the Pacific.
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