工作中的女权主义:当代加利西亚性别和文化的(再)生产

IF 0.2 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY
Catherine Barbour, Danny Barreto
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引用次数: 0

摘要

近年来,充满活力的、多方面的、多模式的女权主义和妇女主导的艺术创作在加利西亚文化领域取得了显著成就。位于加利西亚主流文化边缘的非规范艺术形式往往是对主流加利西亚文化的挑战,揭示了从边缘、非霸权和非殖民立场思考性别的新方式。加利西亚妇女通过在全球框架内重新配置和“重塑”加利西亚女权主义和女性主义,从事创造性和实验性的自我表达、自我生产和文化消费形式。在#MeToo运动、800万妇女罢工和2019冠状病毒病(COVID-19)大流行对性别平等产生影响之后,社交媒体在基层女权主义活动的传播中发挥着越来越突出的作用,当代加利西亚女性的创作实践、女性的创作实践和关于女性的创作实践在如何挑战异性父权制的二元观念和刻板印象方面可以教给我们很多东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminisms at work: The (re)production of gender and culture in contemporary Galicia
Dynamic, multifaceted and multimodal feminist and woman-led artistic production has made its mark in the Galician cultural sphere in recent years. Non-canonical artistic formulations located on the fringes of, and often serving as a challenge to, mainstream Galician culture reveal new ways of thinking about gender from peripheral, non-hegemonic and decolonial positions. Galician women are engaging in creative and experimental forms of self-expression, self-production and consumption of culture by reconfiguring and ‘refashioning’ Galician feminisms and femininities within a global framework. Particularly timely in the wake of the #MeToo movement, 8M women’s strikes and the impact of the COVID-19 pandemic on gender equality, and with social media playing an ever more prominent role in the diffusion of grassroots feminist activism, contemporary Galician creative practice by, for and about women has much to teach us in how it challenges heteropatriarchal binaries and stereotypes.
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来源期刊
INTERNATIONAL JOURNAL OF IBERIAN STUDIES
INTERNATIONAL JOURNAL OF IBERIAN STUDIES SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.40
自引率
33.30%
发文量
18
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