时尚变化的新理论:对一些预测的检验

K. Gibbins, Tony Gwynn
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引用次数: 19

摘要

关于时尚发生的各种理论被批判性地讨论。提出了另一种理论,认为衣服被用作交流的媒介,其信息描述了穿着者。人们的假设是,实际穿的衣服是穿着者所看到的自己和她想成为的自己之间的妥协,但更接近前者。为了解释时尚的传播,人们假设时尚的服装承载着与不时尚的衣服所承载的信息相当一致的信息。一项调查结果证实了这一点。在这项调查中,心理学专业的女学生对10套不时尚服装和10套时尚服装的穿着者进行了评价。该理论预测,对于一种时尚的潜在接受者,即一群没有被选为时尚的女孩来说,理想的自我形象(ISI)将更接近时尚服装所传达的印象,而不是自我形象,而且被认为是时尚的女性对自己的看法与不时尚的女性不同。进行了调查,其结果与这些假设一致。如果这些结果通常是可重复的,那么根据这一理论,时尚变化的发生可能是因为,随着一种风格的普遍采用,其信息发生了变化,或者是因为女性的平均愿望(ISI)发生了变化。后一种观点暗示,时尚确实像Laver(1945)所建议的那样,在相当直接的意义上反映了“时代精神”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A New Theory of Fashion Change: a Test of Some Predictions
Various theories of why fashion occurs are critically discussed. An alternative theory is presented which suggests that clothes are used as media of communication whose message describes the wearer. The assumption is made that the clothes actually worn are a compromise between what the wearer sees herself to be and what she would like to be, but closer to the former. To explain the spread of fashion, it is hypothesized that fashionable outfits bear a fairly consistent message which is different from that carried by unfashionable clothes. This is borne out by the results of an investigation in which female psychology students judged the wearer of 10 unfashionable and 10 fashionable outfits. The theory predicts that for potential adopters of a fashion, i.e. a group of girls unselected for fashionability, the ideal self image (ISI) will be nearer the impression conveyed by fashionable clothes than will the self image and that women who are regarded as fashionable differ in their perceptions of themselves from unfashionable women. Investigations were carried out, the results of which are consistent with these hypotheses. If these results are generally repeatable it follows from this theory that fashion change can occur either because, with the general adoption of a style its message changes, or because the average aspirations of women (ISI) change. The latter suggestion implies that fashions do as, for example, Laver (1945) has suggested, reflect the ‘Spirit of the Age’ in quite a straightforward sense.
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