{"title":"坐在巴达尔的圈子里:艺术家和教育家;巴达勒·西尔卡剧院","authors":"J. Trowsdale","doi":"10.1080/1356978970020104","DOIUrl":null,"url":null,"abstract":"ABSTRACT The work of Indian theatre practitioner Badal Sircar represents a socially committed model of physically based theatre which has significance for drama educators. His work in Third Theatre bears many relations to existing Educational Drama practice, yet there is still more to be learned from his example. In the context of the separation which exists in British culture between educational and professional arts, Sircar proposes an important alternative model for the artist in education in which educational and professional concerns connect.","PeriodicalId":45609,"journal":{"name":"Ride-The Journal of Applied Theatre and Performance","volume":"44 1","pages":"43-54"},"PeriodicalIF":0.5000,"publicationDate":"1997-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sitting in Badal's Circle: artist and pedagogue; the theatre of Badal Sircar\",\"authors\":\"J. Trowsdale\",\"doi\":\"10.1080/1356978970020104\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The work of Indian theatre practitioner Badal Sircar represents a socially committed model of physically based theatre which has significance for drama educators. His work in Third Theatre bears many relations to existing Educational Drama practice, yet there is still more to be learned from his example. In the context of the separation which exists in British culture between educational and professional arts, Sircar proposes an important alternative model for the artist in education in which educational and professional concerns connect.\",\"PeriodicalId\":45609,\"journal\":{\"name\":\"Ride-The Journal of Applied Theatre and Performance\",\"volume\":\"44 1\",\"pages\":\"43-54\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"1997-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ride-The Journal of Applied Theatre and Performance\",\"FirstCategoryId\":\"95\",\"ListUrlMain\":\"https://doi.org/10.1080/1356978970020104\",\"RegionNum\":4,\"RegionCategory\":\"教育学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"EDUCATION & EDUCATIONAL RESEARCH\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ride-The Journal of Applied Theatre and Performance","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1080/1356978970020104","RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
Sitting in Badal's Circle: artist and pedagogue; the theatre of Badal Sircar
ABSTRACT The work of Indian theatre practitioner Badal Sircar represents a socially committed model of physically based theatre which has significance for drama educators. His work in Third Theatre bears many relations to existing Educational Drama practice, yet there is still more to be learned from his example. In the context of the separation which exists in British culture between educational and professional arts, Sircar proposes an important alternative model for the artist in education in which educational and professional concerns connect.