在“霸占”和“传递”麦克风之间;或者,加纳网络广播的意外后果

IF 0.1 Q4 MEDICINE, GENERAL & INTERNAL
Nii Kotei Nikoi, Seyram Avle
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引用次数: 0

摘要

本文探讨了加纳网络广播、媒体参与和问责制之间的关系。具体而言,我们将检视网路广播,这个融合广播与社会媒体实践的混合媒体空间,如何透过公民参与媒体,发挥民主问责的作用。我们通过分析加纳的两个英语广播电台如何充当公民与国家之间的中介来做到这一点,强调广播制作的网络化元素如何促进公共话语,并使国家对公民不那么不透明。我们的研究表明,虽然网络广播确实为媒体参与提供了多种机会,但对于大多数听众来说,这种参与相对被动,部分原因是制作人在演播室里面临着越来越多的互动,必须采用把关策略来适应播出时间的限制。这种权衡无意中使精英的声音凌驾于他人之上,即使广播电台努力使广播中听到的声音多样化。尽管如此,网络广播为政府官员的严格问责提供了一个有限但必要的替代方案,因为这些参与的动态比为这些目的建立的正式路线更经常地引起国家的反应。因此,我们将加纳的网络广播描述为夹在精英听众群体“抢夺麦克风”和在他们、国家和构成听众的更广泛的公民之间“传递麦克风”之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Between Hogging and Passing the Mic; Or, the Unintended Consequences of Networked Radio in Ghana
This paper explores the relationship between networked radio, media participation, and accountability in Ghana. Specifically, we examine how networked radio, the hybrid media space that is the convergence of radio and social media practices, works as a means of democratic accountability through citizen participation in media. We do this through an analysis of how two English-speaking radio stations in Ghana act as intermediaries between citizens and the state, underscoring how the networked elements of radio production facilitate public discourse and make the state less opaque to citizens. We show that while networked radio does provide multiple opportunities for media participation, this participation is relatively passive for the majority of listeners, in part because producers face increased interactivity in-studio and must employ gate-keeping tactics to fit the constraints of airtime. This trade-off inadvertently privileges elite voices over others, even if the radio stations work to diversify the voices heard on air. Still, networked radio provides a limited but necessary alternative to exacting accountability from public officials as those very dynamics of participation elicit the state’s responsiveness more regularly than the formal routes established for those purposes. Accordingly, we characterize Ghanaian networked radio as caught between ‘hogging the mic’ for an elite group of listeners and ‘passing the mic’ between them, the state, and the broader citizenry that constitute the listening public.
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