急躁+歇斯底里:不像姐妹，或者蒙特利尔的急躁女性和多伦多的歇斯底里节日是如何跨越时空的

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI:10.3138/tric.40.1_2.118

T. Cowan

{"title":"急躁+歇斯底里:不像姐妹，或者蒙特利尔的急躁女性和多伦多的歇斯底里节日是如何跨越时空的","authors":"T. Cowan","doi":"10.3138/tric.40.1_2.118","DOIUrl":null,"url":null,"abstract":"The following is a conversation between Miriam Ginestier, Moynan King, and me on the topic of the romance between the Edgy Women Festival and Hysteria: A Festival of Women. Montreal’s Edgy Women Festival, organized by Ginestier and produced by Studio 303, ran in many formations from 1994–2016. Toronto’s Hysteria was co-founded by King and Kelly Thornton and produced by Buddies in Bad Times Theatre and Nightwood Theatre from 2003–2004 and then directed by King and produced solely by Buddies from 2004–2009. During Hysteria’s years of existence, the two festivals shared some artists, as well as aesthetic curatorial-social-political sensibilities.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":"2 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Edgy + Hysteria: Not Like Sisters, or How Montreal’s Edgy Women and Toronto’s Hysteria Festivals Got It On Across Space and Time\",\"authors\":\"T. Cowan\",\"doi\":\"10.3138/tric.40.1_2.118\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The following is a conversation between Miriam Ginestier, Moynan King, and me on the topic of the romance between the Edgy Women Festival and Hysteria: A Festival of Women. Montreal’s Edgy Women Festival, organized by Ginestier and produced by Studio 303, ran in many formations from 1994–2016. Toronto’s Hysteria was co-founded by King and Kelly Thornton and produced by Buddies in Bad Times Theatre and Nightwood Theatre from 2003–2004 and then directed by King and produced solely by Buddies from 2004–2009. During Hysteria’s years of existence, the two festivals shared some artists, as well as aesthetic curatorial-social-political sensibilities.\",\"PeriodicalId\":53669,\"journal\":{\"name\":\"Theatre Research in Canada-Recherches Theatrales au Canada\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Theatre Research in Canada-Recherches Theatrales au Canada\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/tric.40.1_2.118\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theatre Research in Canada-Recherches Theatrales au Canada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/tric.40.1_2.118","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

以下是Miriam Ginestier、Moynan King和我就“前卫女性节”和“歇斯底里:女性节”之间的浪漫话题进行的对话。蒙特利尔前卫女性节由Ginestier组织，Studio 303制作，从1994年到2016年以多种形式举办。多伦多的《歇斯底里》由金和凯利·桑顿共同创立，2003-2004年由坏时光剧院和夜伍德剧院的伙伴制作，2004-2009年由金执导，由伙伴单独制作。在歇斯底里的存在期间，这两个节日分享了一些艺术家，以及审美策展-社会-政治敏感性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Edgy + Hysteria: Not Like Sisters, or How Montreal’s Edgy Women and Toronto’s Hysteria Festivals Got It On Across Space and Time

The following is a conversation between Miriam Ginestier, Moynan King, and me on the topic of the romance between the Edgy Women Festival and Hysteria: A Festival of Women. Montreal’s Edgy Women Festival, organized by Ginestier and produced by Studio 303, ran in many formations from 1994–2016. Toronto’s Hysteria was co-founded by King and Kelly Thornton and produced by Buddies in Bad Times Theatre and Nightwood Theatre from 2003–2004 and then directed by King and produced solely by Buddies from 2004–2009. During Hysteria’s years of existence, the two festivals shared some artists, as well as aesthetic curatorial-social-political sensibilities.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Theatre Research in Canada-Recherches Theatrales au Canada Arts and Humanities-Visual Arts and Performing Arts

CiteScore

1.00

自引率

0.00%

发文量

期刊介绍： Theatre Research in Canada is published twice a year under a letter of agreement between the Graduate Centre for the Study of Drama, University of Toronto, the Association for Canadian Theatre Research, and Queen"s University.