艺术证明:康德式的数学美学研究

Q1 Arts and Humanities
Weijia Wang
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引用次数: 1

摘要

本文从康德的角度探讨数学美的本质。根据康德的《判断力批判》,对美的满足是主观的、非概念性的,而证明即使依赖于概念,也可以是美的。我认为,就像艺术创作一样,复杂演示的形成和研究涉及自由的原始想象和品味(即审美判断的力量)之间的多重渐进互动。这种证明是艺术的,因为它是由美所引导的,即,对想象的自由规律的纯粹感觉。证明过程中的美和证明完成时的完美,共同促进了从主观的合意性到客观的合意性的过渡,这一过渡是康德在《批判第三》中没有提到的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Artistic Proofs: A Kantian Approach to Aesthetics in Mathematics
This paper explores the nature of mathematical beauty from a Kantian perspective. According to Kant’s Critique of the Power of Judgment, satisfaction in beauty is subjective and non-conceptual, yet a proof can be beautiful even though it relies on concepts. I propose that, much like art creation, the formulation and study of a complex demonstration involves multiple and progressive interactions between the freely original imagination and taste (that is, the aesthetic power of judgement). Such a proof is artistic insofar as it is guided by beauty, namely, the mere feeling about the imagination’s free lawfulness. The beauty in a proof’s process and the perfection in its completion together facilitate a transition from subjective to objective purposiveness, a transition that Kant himself does not address in the third Critique.
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来源期刊
Estetika : The Central European Journal of Aesthetics
Estetika : The Central European Journal of Aesthetics Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
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0.00%
发文量
14
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