对卡隆·阿朗演出治理的思考:在竞争、商品化与宗教之间

Komang Indra, Wirawan
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引用次数: 0

摘要

卡隆·阿朗表演艺术近年来发展得非常好。卡隆·阿朗举办的多场演出、铺天盖地的新闻报道和社交媒体上的相关上传都证明了这一点。除了观众对演出的热情,艺术家们也在不断创新,创造性地呈现有趣的表演。然而,现有的卡隆阿朗艺术是一种神圣的表演,经历了许多商品化和偏离。此外,有很多混乱,甚至死亡。因此,需要一套符合tattwa(哲学)、susila(伦理)和upakara(仪式)的卡隆阿朗表演艺术管理体系,但同时又要为艺术家提供足够的空间来表达他们的创造力,并仍然可以向公众呈现有趣的表演。本研究采用定性描述的方法组织,以制定哪些因素需要作为管理Calon Arang绩效的基础。研究结果表明,制定《Calon Arang演出管理指南》并非易事,因为从美学和宗教的角度来看,在制定作为管理《Calon Arang秀》基础的参数时存在冲突。但是,希望在各方的合作下,能够制定出关于如何管理Calon Arang秀的初步原则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reflections on the Governance of Calon Arang Performance: Between Contestation, Commodification, and Religion
Calon Arang performing arts have been developing very well recently. It is proved by the held of many Calon Arang performances and the hectic news coverage and related social media uploads. In addition to the audience being enthusiastic about the show, the artists also continue to innovate and be creative in presenting interesting performances. However, the existing Calon Arang art is a sacred performance that has undergone many commodifications and deviations. Furthermore, there was a lot of chaos and even death. Therefore, a management system for the Calon Arang performing arts is needed that is in accordance with tattwa (philosophy), susila (ethics), and upakara (rituals), but at the same time, it provides sufficient space for artists to express their creativity, and can still present interesting shows to the public. This research was organized in qualitative descriptive method to formulate what factors need to be used as the basis for the management of Calon Arang performance. The research result shows that the preparation of Calon Arang performance management guidelines was not an easy thing because there were conflicts in mapping out the parameters to be used as the basis for managing the Calon Arang Show, both from an aesthetic and religious point of view. However, it is hoped that with the cooperation of various parties, initial principles can be formulated on how to manage the Calon Arang show.
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