修复被遗忘的荷兰刺绣设计师Nellie van Rijsoort的记忆

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
M. Kargól
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引用次数: 0

摘要

1932年,荷兰刺绣制造商和设计师Nellie van Rijsoort(1910-1996)在鹿特丹开设了自己的工作室。她的客户中既有荷兰著名的时装店,也有富裕的中产阶级顾客。第二次世界大战后,van Rijsoort离开鹿特丹,在澳大利亚迅速发展的时尚网络中继续她的职业生涯。如今,Nellie van Rijsoort的刺绣面料样品和时装图纸是鹿特丹博物馆和墨尔本澳大利亚国民信托基金会的收藏品之一。这些藏品提供了半个世纪的刺绣面料的历史洞察。这篇文章说明了大部分被遗忘的职业生涯的刺绣设计师。文章的第一部分概述了van Rijsoort的工作室在荷兰和澳大利亚时尚网络中的地位和意义,第二部分提供了刺绣样品和图纸的分析,揭示了刺绣作为服装装饰的地位和功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Restoring the Memory of the Forgotten Dutch Embroidery Designer Nellie van Rijsoort
In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into half a century of history of embroidered fabrics. This article illustrates the largely forgotten career of the embroidery designer. The first part of the article outlines the position and meaning of van Rijsoort's atelier in the fashion networks of the Netherlands and Australia, while the second part provides an analysis of embroidery samples and drawings, which reveal the place and function of embroideries as dress decorations.
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来源期刊
Costume-The Journal of the Costume Society
Costume-The Journal of the Costume Society HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
50.00%
发文量
27
期刊介绍: Costume is the journal of the Costume Society. It is a scholarly, refereed, academic publication presenting current research into historic and contemporary dress. The journal publishes articles primarily object-based, from a broad chronological period and with a worldwide remit. Costume maintains a balance between practice and theory and concentrates on the social significance of dress. Articles are welcomed from established researchers and those new to the field. The articles published in Costume are sent out for peer-review to ensure that they are of a high standard and make a contribution to dress history.
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