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引用次数: 2
摘要
莎士比亚是在阿尔马格罗戏剧节Clásico(阿尔马格罗古典戏剧节)上演出次数最多的剧作家之一,这个节日最初是为了庆祝黄金时代的戏剧而举办的,如今,莎士比亚的作品数量往往超过单个国家作家的作品。在整个戏剧节的历史上,几部莎士比亚作品都在Corral de Comedias上演,这是一个17世纪的原始场地,由于与文艺复兴时期的剧场相似,它重新激活了剧本中编码的空间的使用。本文有双重目的:首先,研究《阿尔马格罗》中莎士比亚作品的丰富程度,这是一种现象,可以从莎士比亚的受欢迎程度到现代翻译的作用等因素中找到解释;其次,关注莎士比亚在喜剧剧院的作品如何在表演中达成莎士比亚的新含义,在当代表演中产生文艺复兴时期和黄金时代场地之间的相互作用。
Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral
Shakespeare is one of the most often performed playwrights at the Festival de Teatro Clásico de Almagro [The Almagro Festival of Classical Theater], an event initially created to celebrate Golden Age drama in which, nowadays, Shakespearean productions often outnumber those by individual national authors. Throughout the history of the festival, several Shakespearean productions have been staged in the Corral de Comedias, an original seventeenth-century venue that reactivates the use of space encoded in the playtext due to its similarities with Renaissance playhouses. This article has a double purpose: first, to examine the abundance of Shakespeare in Almagro as a phenomenon that finds its explanation in factors ranging from Shakespeare’s popularity to the role of modern translation and, second, to focus on how Shakespearean productions at the Corral de Comedias have negotiated new meanings of Shakespeare in performance, generating an interplay between Renaissance and Golden Age venues in contemporary performance.
期刊介绍:
SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.