The Audiovisual Design and Aesthetics of the Films of Theo Angelopoulos

In the following article, the author examines the audiovisual design of Theo Angelopoulos’ filmmaking practice. The emphasis is on the close analysis of sequences and larger entities. The approach creates a heightened sensitivity to matters of analysis that cover similarities and differences, as well as causal and empirical reflections. The aim is to create a web of associations for these perspectives and perceive a wider approach for Angelopoulos’ films. The meaningful appropriation of various theoretical points of views requires sufficient correspondence and dialogical proneness to an understanding of the conceptual, formal and aesthetic legitimacy of his films. The approach consists of understanding Angelopoulos’ audiovisual design as a central force in the cinematic table of arrangements, and the aesthetics in the process of structuring expression.