《通往内心的喜剧之路》,还是《Z世代幽默的教学问题》

Christopher Gilbert
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引用次数: 3

摘要

Z世代(Gen Z)代表了现在似乎构成高等教育承诺的破碎承诺的精髓。但是,如果说绝望表明了这代人在公民参与、社区和学生学习等问题上的不安的阴暗面,那么从这几代人身上出现的黑色幽默则指向了民主公民的模式,这种模式更多的是和解,而不是顺从。这篇文章提供了对Z世代幽默的批判性反思,它在学院和大学课堂中的地位,以及它作为一种资源的有用性,可以重新思考如何将教学与喜剧审视的生活联系起来。它从保罗·弗莱雷、玛莎·c·努斯鲍姆、贝尔·胡克斯、亨利·a·吉鲁等人提出的希望教学法的新视角出发。本考试允许对漫画poësis进行概念化,以理解在不寻常的基础上满足学生的教学实践如何有助于人格和公共文化的生产、创造和关怀。最后,本文平衡了喜剧教学实践的理论与课堂上的实际活动,以思考一种调和课程与学生的身份和位置的教学法,以反馈循环开始和结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Comic Road to Interiors, or the Pedagogical Matter of Gen Z Humor
Generation Z (Gen Z) represents something of a quintessence for the broken promises that now seem to make up the promise of higher education. But if despair indicates the dark side of generational malaise around things like civic engagement, community, and student learning, the dark humor that has emerged out of these generations points to modes of democratic citizenship that are more about reconciliation than resignation. This essay offers a critical reflection on Gen Z humor, its place in college and university classrooms, and its usefulness as a resource for reconsidering how teaching and learning might be tied to a comically examined life. It proceeds with a fresh look at pedagogies of hope as developed by Paulo Freire, Martha C. Nussbaum, bell hooks, Henry A. Giroux, and others. This examination allows for the conceptualization of a comic poësis for understanding how instructional practices that meet students on uncommon ground contribute to the production, creation, and care for personhood as well as public culture. Ultimately, this essay balances theories of a comic teaching praxis with actual activities from the classroom to meditate on a pedagogy of reconciling curricula with who and where students are, beginning and ending with feedback loops.
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