灰姑娘!灰姑娘!:深入了解17世纪荷兰的性别角色和风俗画

IF 0.1 0 ART
Katie Downs
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摘要

这篇文章强调了一个时期,北方艺术家不再被允许绘画或雕刻圣像,就像他们在中世纪和文艺复兴时期所做的那样。天主教会禁止这种艺术形式,因为对第二条诫命的解释是:“你不可雕刻你的上帝的形象”。风俗画是这种流放的结果,也是一种表现和描绘17世纪荷兰家庭日常生活场景的方式。这些画会以一种近乎嘲弄的滑稽方式表现出一种最好的情况和最坏的情况。通过探索这些画作,我们开始理解女性是如何被宣传灌输成为更好的家庭主妇、母亲,并承担起所有人的身体营养。虽然很有趣,但在荷兰的黄金时代,这些图像被庆祝并被认为是传奇。在仔细研究风俗画和荷兰家庭的日常实践时,我们可以将这些绘画的模式与黄金时代这些绘画如何影响女性并影响她们的家务联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cinderella! Cinderella!: A closer look into Dutch seventeenth-century gender roles and genre paintings
This article highlights a time when Northern artists were no longer allowed to paint or carve holy images as they had done during the Middle Ages and the Renaissance. The Catholic Church banned this art form due to the interpretation of the second commandment: ‘Thou shalt make no graven image of thy God’. Genre paintings were the outcome of this banishment and a way to represent and depict an everyday life scene in a Dutch seventeenth-century household. The paintings would show the best of a situation and also its worst counterpart in almost a mocking comical way. By exploring these paintings, we come to understand how women were fed propaganda into becoming a better housewife, mother and bearing the weight of physical nourisher to all. Although amusing, the images have been celebrated and considered legendary during the Golden Age of the Netherlands. While taking a closer look at genre paintings and the everyday practices of the Dutch household, we can connect patterns to how these paintings affected women and influenced their domestic duties in the Golden Age.
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