危机时期的艺术

Géraldine David, Yuexin Li, K. Oosterlinck, L. Renneboog
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引用次数: 2

摘要

在政治或经济困难时期,艺术往往被视为最后的投资手段或潜在的避风港。然而,由于没有研究关注艺术市场在危机时期的表现,本文通过打开历史拍卖档案的方式填补了这一空白。我们追踪了英国艺术市场的长期表现,将其与世界大战、经济衰退、通货膨胀期和货币政策变化等危机时期联系起来。通过构建1908年至2016年的艺术品价格指数,我们发现英国艺术品的价值在本世纪增长了七倍多。我们将危机分为经济和金融危机、系统性危机和战争时期。结果显示,在战争时期,艺术品的表现优于股票和其他金融资产,这意味着它可以作为对冲政治不确定性的工具。然而,在经济和金融危机时期,艺术品市场的表现不及股市。我们还详细介绍了在不同危机中,特定画作的大小、艺术学校、艺术品的流动性、艺术(价格)细分和艺术(清单)的国籍等艺术偏好的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art in Times of Crisis
Art is often presented as an investment of last resort or a potential safe haven in times of political or financial distress. Yet, as no study has focused on the performance of art markets in times of crisis, this paper fills this gap by means of unclosing historical auction archives. We trace the long-term performance of the UK art market, which we relate to periods of crisis such as the World Wars, economic recessions, inflationary periods, and changes in monetary policy. By constructing an art price index from 1908 to 2016, we show that the value of British art expanded more than seven-fold over this century. We classify crises into economic & financial crises, systemic ones, and war periods. The results show that art outperformed equities and other financial assets in war times, which implies that it could serve as a hedge against political uncertainties. However, in times of economic and financial crises the art market underperformed the equity market. We also detail changes in art preferences for specific paintings’ sizes, art schools, art objects’ liquidity, art (price) segments, and art(ist)’s nationality across crises.
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