暴力的狂欢:伊凡雷帝与莫斯科的流行文化

IF 0.2 4区 历史学 Q2 HISTORY
Maureen Perrie
{"title":"暴力的狂欢:伊凡雷帝与莫斯科的流行文化","authors":"Maureen Perrie","doi":"10.30965/18763316-04701009","DOIUrl":null,"url":null,"abstract":"This essay takes issue with Charles Halperin’s assertion, in his book on Ivan the Terrible, that the state terror imposed by the tsar in the period of the oprichnina bore no relation to the concept of carnival employed by Mikhail Bakhtin. The reviewer argues that, on the contrary, Ivan’s behaviour was heavily influenced by aspects of the “comic world” of early Rus’ identified by D.S. Likhachev and A.M. Panchenko as the Muscovite equivalent of the Western European “carnivalesque”. She examines the deposition and ritual humiliation of Metropolitan Filipp of Moscow and Archbishops Pimen and Leonid of Novgorod, and the murder of the boyar I.P. Fedorov-Cheliadnin, and shows that these had much in common with forms of popular culture. Similarly, the oprichniki themselves in some respects resembled mummers, and their monastery at Aleksandrovskaia Sloboda was carnivalesque. The oprichnina terror displayed some of the gruesome rituals of retribution found in popular uprisings of the period: this suggests that the tsar had internalized much of the imagery of popular culture; and his appropriation of its idioms may have helped to gain popular support for his public executions.","PeriodicalId":43441,"journal":{"name":"RUSSIAN HISTORY-HISTOIRE RUSSE","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Oprichnina as a Carnival of Violence: Ivan the Terrible and Muscovite Popular Culture\",\"authors\":\"Maureen Perrie\",\"doi\":\"10.30965/18763316-04701009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay takes issue with Charles Halperin’s assertion, in his book on Ivan the Terrible, that the state terror imposed by the tsar in the period of the oprichnina bore no relation to the concept of carnival employed by Mikhail Bakhtin. The reviewer argues that, on the contrary, Ivan’s behaviour was heavily influenced by aspects of the “comic world” of early Rus’ identified by D.S. Likhachev and A.M. Panchenko as the Muscovite equivalent of the Western European “carnivalesque”. She examines the deposition and ritual humiliation of Metropolitan Filipp of Moscow and Archbishops Pimen and Leonid of Novgorod, and the murder of the boyar I.P. Fedorov-Cheliadnin, and shows that these had much in common with forms of popular culture. Similarly, the oprichniki themselves in some respects resembled mummers, and their monastery at Aleksandrovskaia Sloboda was carnivalesque. The oprichnina terror displayed some of the gruesome rituals of retribution found in popular uprisings of the period: this suggests that the tsar had internalized much of the imagery of popular culture; and his appropriation of its idioms may have helped to gain popular support for his public executions.\",\"PeriodicalId\":43441,\"journal\":{\"name\":\"RUSSIAN HISTORY-HISTOIRE RUSSE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN HISTORY-HISTOIRE RUSSE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30965/18763316-04701009\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN HISTORY-HISTOIRE RUSSE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/18763316-04701009","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0

摘要

本文对查尔斯·哈尔佩林在他关于伊凡雷帝的书中提出的观点提出质疑,他认为沙皇在奥普里契纳时期实施的国家恐怖与米哈伊尔·巴赫金所使用的狂欢节概念毫无关系。评论者认为,与此相反,伊万的行为在很大程度上受到了D.S.利哈乔夫(D.S. Likhachev)和A.M.确定的早期罗斯“喜剧世界”的影响潘琴科被认为是莫斯科的西欧“狂欢节”。她研究了莫斯科大主教菲利普、诺夫哥罗德大主教皮门和列昂尼德的罢免和仪式羞辱,以及波雅尔费多罗夫-切利亚德宁的谋杀,并表明这些与流行文化的形式有很多共同点。同样地,奥普里契尼奇自己在某些方面也很像戏子,他们在斯洛博达的修道院就像狂欢节一样。oprichnina恐怖事件展示了一些在这一时期的民众起义中发现的可怕的报复仪式:这表明沙皇已经内化了许多流行文化的意象;他对其习语的挪用可能有助于赢得公众对他公开处决的支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Oprichnina as a Carnival of Violence: Ivan the Terrible and Muscovite Popular Culture
This essay takes issue with Charles Halperin’s assertion, in his book on Ivan the Terrible, that the state terror imposed by the tsar in the period of the oprichnina bore no relation to the concept of carnival employed by Mikhail Bakhtin. The reviewer argues that, on the contrary, Ivan’s behaviour was heavily influenced by aspects of the “comic world” of early Rus’ identified by D.S. Likhachev and A.M. Panchenko as the Muscovite equivalent of the Western European “carnivalesque”. She examines the deposition and ritual humiliation of Metropolitan Filipp of Moscow and Archbishops Pimen and Leonid of Novgorod, and the murder of the boyar I.P. Fedorov-Cheliadnin, and shows that these had much in common with forms of popular culture. Similarly, the oprichniki themselves in some respects resembled mummers, and their monastery at Aleksandrovskaia Sloboda was carnivalesque. The oprichnina terror displayed some of the gruesome rituals of retribution found in popular uprisings of the period: this suggests that the tsar had internalized much of the imagery of popular culture; and his appropriation of its idioms may have helped to gain popular support for his public executions.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
50.00%
发文量
24
期刊介绍: Russian History’s mission is the publication of original articles on the history of Russia through the centuries, in the assumption that all past experiences are inter-related. Russian History seeks to discover, analyze, and understand the most interesting experiences and relationships and elucidate their causes and consequences. Contributors to the journal take their stand from different perspectives: intellectual, economic and military history, domestic, social and class relations, relations with non-Russian peoples, nutrition and health, all possible events that had an influence on Russia. Russian History is the international platform for the presentation of such findings.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信