{"title":"剥削性女同性恋电影制作与发行中的文化唯物主义——以《孤独的孩子》(1935)为例","authors":"Anna Fåhraeus","doi":"10.35360/njes.618","DOIUrl":null,"url":null,"abstract":"Raymond Williams developed a vocabulary and framework for analyzing the ideological forces at work in literature and art, as objects, but also in terms of their production and distribution. This article looks back at his elaboration of cultural materialism and its relationship to film in Preface to Film (1954), written with Michael Orrin, as a way of understanding the media traces of the lost film Children of Loneliness (dir. Richard C. Kahn). The film was an early sex education about homosexuality and this article explores its connections to early exploitation films as a cinematic form, and the dominant and emergent discourses that were used to promote it, as a well as at structures of feeling that these discourses reflect.","PeriodicalId":35119,"journal":{"name":"NJES Nordic Journal of English Studies","volume":"20 2 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: A Historical Case Study of Children of Loneliness (1935)\",\"authors\":\"Anna Fåhraeus\",\"doi\":\"10.35360/njes.618\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Raymond Williams developed a vocabulary and framework for analyzing the ideological forces at work in literature and art, as objects, but also in terms of their production and distribution. This article looks back at his elaboration of cultural materialism and its relationship to film in Preface to Film (1954), written with Michael Orrin, as a way of understanding the media traces of the lost film Children of Loneliness (dir. Richard C. Kahn). The film was an early sex education about homosexuality and this article explores its connections to early exploitation films as a cinematic form, and the dominant and emergent discourses that were used to promote it, as a well as at structures of feeling that these discourses reflect.\",\"PeriodicalId\":35119,\"journal\":{\"name\":\"NJES Nordic Journal of English Studies\",\"volume\":\"20 2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NJES Nordic Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35360/njes.618\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NJES Nordic Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35360/njes.618","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: A Historical Case Study of Children of Loneliness (1935)
Raymond Williams developed a vocabulary and framework for analyzing the ideological forces at work in literature and art, as objects, but also in terms of their production and distribution. This article looks back at his elaboration of cultural materialism and its relationship to film in Preface to Film (1954), written with Michael Orrin, as a way of understanding the media traces of the lost film Children of Loneliness (dir. Richard C. Kahn). The film was an early sex education about homosexuality and this article explores its connections to early exploitation films as a cinematic form, and the dominant and emergent discourses that were used to promote it, as a well as at structures of feeling that these discourses reflect.