格罗托斯基的空间:从贫穷的戏剧到客观的戏剧

Q3 Arts and Humanities
Pere Sais Martinez, Dimitra Konstantopoulou
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引用次数: 0

摘要

在格罗托夫斯基从“贫穷剧场”到“客观戏剧”的创作轨迹的不同时期,本文在每个阶段的概念和实践框架内,发现并审视了行动、空间和地点之间的密切联系。该方法特别关注每个时期的旗舰空间和场所,即弗罗茨瓦夫的实验室剧院,贫穷剧院,布热津卡的建筑和周围的乡村,Paratheatre,以及欧文大学的谷仓和帐篷,客观戏剧。作为Grotowski在他的轨迹中唯一根据他的精确指示建造的建筑,它值得特别关注,因为它是他作品的模型空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LOS ESPACIOS DE GROTOWSKI: DESDE EL TEATRO POBRE HASTA EL DRAMA OBJETIVO
Across the different periods of Jerzy Grotowski´s trajectory, from Poor Theatre to Objective Drama, the article detects and examines the close connection between action, space and place within both the con- ceptual and the practical framework of each one of them. The approach concerns, in particular, the flagship spaces and places of each period, that is, the Laboratory Theatre of Wroclaw, of Poor Theatre, the buildings and the surrounding countryside of Brzezinka, of Paratheatre, and the Barn and the Yurt of the University of Irvine, of Objective Drama. Being theYurt the only building constructed for Grotowski in his trajectory and according to his precise instructions, it deserves special attention as model space with respect to the pretensions of his work.
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来源期刊
Acotaciones
Acotaciones Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
自引率
0.00%
发文量
15
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