“无敌死亡的狂怒”。亚里士多德的宿命论对1615年塞万提斯八部喜剧的影响

IF 0.1 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Alpha-Revista de Artes Letras y Filosofia Pub Date : 2020-07-10 DOI:10.32735/s0718-2201202000050782

Desiderio Parrilla Martínez

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引用次数: 0

摘要

塞万提斯在他的文学创作中面对着各种关于死亡和超越的比例哲学学说。其中，我们应该强调帕多瓦学派的死亡论论点，或新亚里士多德的心灵论，其主要代表人物是佩德罗·蓬帕纳齐。在这篇文章中，我们将关注他在1615年的八部喜剧中出现的这种学说。

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“Al furor de la invencible muerte”. Influencia del mortalismo aristotélico en las Ocho comedias de Cervantes de 1615

Cervantes throughout his literary production confronts diverse doctrines of ratio philosophica on death and transcendence. Among them we should emphasize the mortalist thesis, or neo-Aristotelian thnetopsychism, of the School of Padua, whose main exponent was Pedro Pomponazzi. In this article we will focus on the presence of this doctrine in his eight comedies of 1615.

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Alpha-Revista de Artes Letras y Filosofia HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

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0.00%

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