保卫威尼斯:贾科莫·博尼和约翰·罗斯金

IF 0.6 4区艺术学 0 ARCHITECTURE

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2016-06-14 DOI:10.1353/COT.2016.0001

M. Namer

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引用次数: 1

摘要

这篇文章是关于约翰·罗斯金和年轻的贾科莫·博尼之间的关系。博尼年轻时在威尼斯受过建筑师的训练，后来由于对罗马广场的探索，他以考古学家的身份闻名于世。本文通过分析拉斯金幸存的信件(仅部分以意大利语翻译出版)，有助于定义博尼从他的大师约翰·拉斯金(John Ruskin)那里获得的关于威尼斯宫殿修复的灵感。1882年，他在与其他年轻艺术家和知识分子共同撰写的小册子《纪念碑的未来》(l’avvenire dei monumenti)中，为俄国人的修复概念辩护，认为这是对时间流逝的强烈干扰。该书全文收录在附录中。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Safeguarding Venice: Giacomo Boni and John Ruskin

The essay concerns the relationship between John Ruskin and the young Giacomo Boni. Trained as an architect in Venice during his youth, Boni became mostly famous as an archaeologist thanks to the following exploration of the Roman Forum. The paper contributes to define the inspiration Boni took from his Maestro John Ruskin about the restoration of Venetian Palazzi through the analysis of Ruskin’s surviving letters, just partially published in their Italian translation only. In 1882, he defended the Ruskinian concept of restoration as a hard interference with the flow of time in a pamphlet he personally wrote with other young artists and intellectuals, l’Avvenire dei monumenti (“The Future of Monuments”), which is entirely transcribed in the Appendix.

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来源期刊

Change Over Time-An International Journal of Conservation and the Built Environment ARCHITECTURE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Change Over Time is a semiannual journal publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material. Past issues have addressed topics such as repair, adaptation, nostalgia, and interpretation and display.