图坦卡蒙的领

Q1 Arts and Humanities
Marie Ekstedt Bjersing
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引用次数: 3

摘要

本文的目的是讨论当同一纺织品重复重建时会发生什么。这篇文章的作者也是制作这四幅重建作品的工匠。重建的原始项圈属于图坦卡蒙。领子是圆形的,编织成一个圆圈。在重建之前,这种编织圆形的方法没有被描述过。第一次重建集中在项圈上。15年后,又进行了三次重建。这一次,重点是通过使用更少、更简单的工具来重建飞船。在实际工作的同时,还在探索如何制作文档。项目的一个结论是,当将重点从重建纺织品转变为重建工艺时,与原来的相似度更高。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tutankhamun’s collar
The aim of this paper is to discuss what happens when repeating a reconstruction of the same textile. The author of this article is also the craftsperson that made the four reconstructions presented. The original collar reconstructed belonged to Tutankhamun. The collar is circular, woven in a circle. Before the reconstructions, this method of weaving circular shapes had not been described. The first reconstruction focused on the collar. Fifteen years later, three additional reconstructions were made. This time, the focus was to reconstruct the craft, by the use of fewer, simpler tools. Parallel to practical work there was an exploration of how to make documentation. One conclusion in the project is when changing focus from reconstructing a textile to reconstructing a craft, more similarity to the original was achieved.  
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
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