印刷中的皈依与圣洁:约1600年罗马犹太人罗耀拉的依纳爵和以撒的插曲

IF 0.1 Q3 HISTORY
Jonathan E. Greenwood
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引用次数: 0

摘要

1600年,罗马雕刻家弗朗西斯科·维拉梅纳(Francesco Villamena,约1565-1624年)制作了一幅版画,描绘了耶稣会创始人依纳爵·罗约拉(Ignatius of Loyola, 1491-1556年)的生活和奇迹。它讲述了一个名叫以撒的当地犹太人的皈依,被伊格内丢描述为,可能是奇迹的,另一个人的心的运动。然而,Villamena的雕刻必须与Pedro de Ribadeneyra(1526-1611)所写的Ignatius生平进行对比。里巴德内拉是犹太血统的耶稣会士,他的记述和罗马版画一样,谈到了以撒的皈依。然而,1601年的版本明确地将这一事件置于创始人的奇迹之中。本文考察了犹太人祖先在近代早期神圣观念中的地位。通过这个案例研究,我将比较罗马和马德里的印刷文化,以及这种转变的视觉和书面记录,以帮助我们更好地理解宗教少数群体在天主教圣徒决定中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conversion and Sanctity in Print: The Episode of Ignatius of Loyola and Isaac, the Roman Jew ca. 1600
Abstract Roman engraver Francesco Villamena (ca. 1565–1624) produced a print in 1600 that illustrated the life and miracles of Ignatius of Loyola (1491–1556), the founder of the Society of Jesus. It featured a conversion of a local Jew named Isaac described as the movement, possibly miraculously, of another’s heart by Ignatius. Villamena’s engraving, however, must be contrasted with lives of Ignatius written by Pedro de Ribadeneyra (1526–1611). A Jesuit of Jewish ancestry, Ribadeneyra’s accounts, like the Roman print, spoke of the conversion of Isaac. Its 1601 iteration, however, explicitly situated the event among the founder’s miracles. This article examines the place of persons of Jewish ancestry in conceptions of Early Modern sanctity. With this case study, I will compare the print cultures of Rome and Madrid as well as visual and written accounts of this conversion to help us better understand the role of religious minorities in the determination of Catholic sainthood.
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