想象的永恒乐趣。浪漫主义中的想象思想,尤其是威廉·布莱克

IF 0.3 0 PHILOSOPHY
Roger Ferrer-Ventosa
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引用次数: 0

摘要

从18世纪末开始,在欧洲文化中,理性和想象力的概念发生了转变,后者是浪漫主义者的一种特权能力。在本文中,它将显示的例子,在这种能力的欣赏增加,其神化可以观察到威廉·布莱克的原始美学。上述艺术家提供了几十年来普遍存在的一种倾向的例子,他是这种浪漫主义态度的主要例子;它还将讨论他的影响,新柏拉图主义思想家和神秘主义者,如Böhme和斯威登堡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
El eterno deleite de la imaginación. Idea de la imaginación en el Romanticismo, especialmente en William Blake
Starting at the end of the eighteenth century, in the European culture took place a transformation of the concepts of reason and imagination, with the latter being a privileged ability of the human mind for the romantics. In this text, it will be shown examples of the increase in the appreciation of that ability, whose apotheosis can be observed in William Blake’s original aesthetics. The aforesaid artist provides an example of a tendency that was common during various decades, a romantic attitude of which he is the prime example; it will also talk about his influences, neoplatonic thinkers and mystic occultists such as Böhme and Swedenborg.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
40 weeks
期刊介绍: The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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