技艺超越人类

Q1 Arts and Humanities
Ragnar Vennatrø, H. B. Høgseth
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引用次数: 1

摘要

本文考虑了近年来在人文和社会科学中发现的在后人文主义标题下的超越人类的实践方法的工艺科学和实践主导的研究。在工艺科学中以实践为主导的研究,代表了一个重要的和开创性的研究领域,作为一个体现主观的检查领域,具有获得各种形式的熟练和/或自然实践的深刻知识的令人印象深刻的能力。实践的一个方面,这项研究似乎不太能够把握,是人类和非人类实践的多个本体论之间更广泛的实践联系。本文超越了纯粹的人类工艺现象学,寻求一种更对称的、后人类中心主义的知识和物质性方法,作为多重本体论的实践。这将意味着工艺科学如何看待实践的转变,从一个严格遵循人类实践者的操作方面,到作为一个持续的、超越人类的过程的实践,通过这个过程,现象(和实践者)被引入并维持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Craft as More-Than-Human
This article considers craft science and practice-led research in light of more-than-human approaches to practice under the heading posthumanism, as found within humanities and social sciences in recent years. Practice-led research within craft science, represents a vital and ground-breaking field of inquiry, as an embodied subjective field of examination with an impressive ability to gain deep knowledge of various forms of skilled and/or natural practices. One aspect of practice that this research seems less able to grasp, is a broader practical connection between multiple ontologies of human and non-human practice. Going beyond a purely human phenomenology of craft, this article seeks a more symmetrical and post-anthropocentric approach to knowledge and materiality, as practice in multiple ontologies. This would mean a shift in how craft science view practice, from being a strictly operational aspect adhering to human practitioners, to practice as an ongoing more-than-human process by which phenomena (and practitioners) are brought into being and are maintained.
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
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