{"title":"《侠盗2:对视听二人组——叛逆败类的创作和技术发展的思考","authors":"Ryan Ross Smith, Shawn Lawson","doi":"10.12801/1947-5403.2018.10.01.04","DOIUrl":null,"url":null,"abstract":"This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"42 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum\",\"authors\":\"Ryan Ross Smith, Shawn Lawson\",\"doi\":\"10.12801/1947-5403.2018.10.01.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.\",\"PeriodicalId\":36263,\"journal\":{\"name\":\"Dancecult\",\"volume\":\"42 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dancecult\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12801/1947-5403.2018.10.01.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dancecult","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12801/1947-5403.2018.10.01.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum
This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.