《侠盗2:对视听二人组——叛逆败类的创作和技术发展的思考

Q2 Arts and Humanities
Ryan Ross Smith, Shawn Lawson
{"title":"《侠盗2:对视听二人组——叛逆败类的创作和技术发展的思考","authors":"Ryan Ross Smith, Shawn Lawson","doi":"10.12801/1947-5403.2018.10.01.04","DOIUrl":null,"url":null,"abstract":"This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum\",\"authors\":\"Ryan Ross Smith, Shawn Lawson\",\"doi\":\"10.12801/1947-5403.2018.10.01.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.\",\"PeriodicalId\":36263,\"journal\":{\"name\":\"Dancecult\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dancecult\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12801/1947-5403.2018.10.01.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dancecult","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12801/1947-5403.2018.10.01.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

本文考察了视听二人组欧比旺·科德诺比和伍基的发展(作者分别是肖恩·劳森和瑞安·罗斯·史密斯)。作者追溯了四年来技术和艺术发展的轨迹,同时强调了最近的物理位移对项目的创造性和协作方面的影响。我们试图通过我们的合作来反思创意和技术之旅,包括劳森开发的原力,这是一个基于OpenGL着色器的生成视觉效果的实时编码环境,同时照亮我们的经验,并从实践和性能中的实时编码,一般的EDM和具体的算法文化中获取。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum
This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Dancecult
Dancecult Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
32 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信