铃木纪子宣传《神石白》中恰当的女性民族主义身体

S. Orbaugh
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摘要

Sharalyn Orbaugh是温哥华英属哥伦比亚大学亚洲研究系现代日本文学和流行文化教授。除了正在进行的对神石白和二战宣传的研究之外,她还写了一篇关于批判性女权主义和半机械人动画的交集的文章,《当没有身体的时候,谁会有这种感觉?》赛博格和同伴物种在Oshii Mamoru的电影,”莎拉·威尔斯和詹妮弗·菲利编辑。,《同步世界:全球科幻电影》(明尼苏达大学出版社,2014)。铃木纪子宣传《神石白》中恰当的女性民族主义身体
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Properly Feminine Nationalist Body in the Propaganda Kamishibai of Suzuki Noriko
Sharalyn Orbaugh is Professor of modern Japanese literature and popular culture in the Department of Asian Studies, University of British Columbia, Vancouver. In addition to her ongoing study of kamishibai and World War II propaganda, she has an essay on the intersection of critical feminism and cyborg anime, “Who Does the Feeling When There’s No Body There? Cyborgs and Companion Species in Oshii Mamoru’s Films,” in Sarah Wells and Jennifer Feeley, eds., Simultaneous Worlds: Global SF Cinema (University of Minnesota Press, 2014). The Properly Feminine Nationalist Body in the Propaganda Kamishibai of Suzuki Noriko
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