五幕中的抗议艺术

IF 0.7 4区 社会学 Q2 AREA STUDIES
Pamela Karimi
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引用次数: 0

摘要

22岁的马赫萨·阿米尼(Mahsa Amini)被伊朗“道德警察”悲惨杀害,世界第一次接触到的是她的形象。当全世界数百万人浏览新闻和社交媒体时,他们被昏迷的阿米尼挂着呼吸机的照片震惊了,这是她通过宽松的围巾露出一些头发的惩罚(图1)。这张照片如此有影响力,以至于在发布一周后,勇敢的摄影师,记者Niloofar Hamedi被监禁。不顾政府的压力,艺术家们开始重现这幅可怕的画面。在程式化的重复中,阿米尼的肖像有时伴随着哀悼歌曲或反革命音乐,就像比利时的伊朗艺术家尼克纳兹·卡鲁扎德(Niknaz Khalouzadeh)在一夜之间走红的彩色动画一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art of Protest in Five Acts
The world's first encounter with the tragic murder of the 22-year-old Mahsa Amini by Iran's “morality police” was through her image. As millions around the world browsed through news and social media, they were shocked by the image of the unconscious Amini hooked up to ventilators—her punishment for showing some hair through a loosely worn scarf (Fig. 1). The photograph was so influential that a week after its release, its brave photographer, journalist Niloofar Hamedi, was imprisoned. Despite government pressure, artists began reproducing this horrific image. In stylized reiterations, the portrait of Amini was at times coupled with mourning songs or counterrevolutionary music, as in the colorful animation by Belgium-based Iranian artist Niknaz Khalouzadeh that went viral overnight.
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来源期刊
Iranian Studies
Iranian Studies Multiple-
自引率
0.00%
发文量
92
期刊介绍: Iranian Studies is a peer-reviewed journal devoted to Iranian and Persian history, literature, and society, published on behalf of the Association for Iranian Studies . Its scope includes all areas of the world with a Persian or Iranian legacy, especially Iran, Afghanistan, Central Asia and the Caucasus, and northern India, and Iranians in the diaspora. It welcomes submissions in all disciplines.
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