{"title":"重穿皇帝:表演实践研究的死与活","authors":"J. Freeman","doi":"10.1080/14452294.2011.11649533","DOIUrl":null,"url":null,"abstract":"Abstract This article questions whether practice-based submissions for PhD are chiefly problematised by their own immediacy and that issues of dissemination are secondary to issues of time. In suggesting research is linked to the unruly rhythms of creative practice, the article picks its own route through embodiment, institutional acceptance, truth, lies and punctuation, theatre influence, and tensions between permanence and ephemerality.","PeriodicalId":41180,"journal":{"name":"NJ-Drama Australia Journal","volume":"186 1","pages":"101 - 110"},"PeriodicalIF":1.0000,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Re-Clothing the Emperor: The Dead and Aliveness of Practice-Based Research in Performance\",\"authors\":\"J. Freeman\",\"doi\":\"10.1080/14452294.2011.11649533\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article questions whether practice-based submissions for PhD are chiefly problematised by their own immediacy and that issues of dissemination are secondary to issues of time. In suggesting research is linked to the unruly rhythms of creative practice, the article picks its own route through embodiment, institutional acceptance, truth, lies and punctuation, theatre influence, and tensions between permanence and ephemerality.\",\"PeriodicalId\":41180,\"journal\":{\"name\":\"NJ-Drama Australia Journal\",\"volume\":\"186 1\",\"pages\":\"101 - 110\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2011-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NJ-Drama Australia Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14452294.2011.11649533\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NJ-Drama Australia Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14452294.2011.11649533","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Re-Clothing the Emperor: The Dead and Aliveness of Practice-Based Research in Performance
Abstract This article questions whether practice-based submissions for PhD are chiefly problematised by their own immediacy and that issues of dissemination are secondary to issues of time. In suggesting research is linked to the unruly rhythms of creative practice, the article picks its own route through embodiment, institutional acceptance, truth, lies and punctuation, theatre influence, and tensions between permanence and ephemerality.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
